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Guillermo del Toro is a Mexican film director, screenwriter, film producer, and novelist born on October 9, 1964, in Guadalajara.

He received his education at the University of Guadalajara and the National Autonomous University of Mexico, laying the academic groundwork for a career that would extend across film, television, and prose fiction. Working in both Spanish and English, del Toro has operated across multiple roles in the film industry — directing, writing, and producing — as well as contributing to television production and, on occasion, appearing before the camera as an actor. His range of craft also includes work as a make-up artist, a discipline that reflects an attention to the physical and visual texture of storytelling.

Among the formal recognitions del Toro has received, three stand out in particular. The Golden Lion, awarded at the Venice Film Festival, marked significant international recognition of his work as a filmmaker. The BAFTA Award for Best Direction followed, acknowledging his craft among his peers in the British film and television industry. Most prominently, del Toro received the Academy Award for Best Director, one of the highest honors the film industry confers upon a director.

Throughout his career, del Toro has worked across a notably wide range of creative disciplines — directing and producing for both cinema and television, writing screenplays, and authoring fiction as a novelist. This movement between forms, and between the Spanish and English languages, marks a body of work defined by its refusal to settle within a single medium or tradition.

Quotes by Guillermo del Toro

Guillermo del Toro's insights on:

I see horror as part of legitimate film. I don't see it as an independent genre that has nothing to do with the rest of cinema.
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I see horror as part of legitimate film. I don't see it as an independent genre that has nothing to do with the rest of cinema.
You cannot dictate what people find funny, what people find attractive, or what people find scary. There is not a norm.
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You cannot dictate what people find funny, what people find attractive, or what people find scary. There is not a norm.
I have a very promiscuous relationship with all my objects.
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I have a very promiscuous relationship with all my objects.
It is unnatural to deny effort, adversity, and pain.
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It is unnatural to deny effort, adversity, and pain.
I think that most of the monsters I dream of, I dreamt of as a child.
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I think that most of the monsters I dream of, I dreamt of as a child.
I would have killed to do 'Beauty And The Beast' at Warners, which went away. I would have killed to do 'The Witches' at Warners that went away. God knows there are many, many of them. All I can do is diligently do the screenplay, diligently do the design work, deliver a budget, and then await a decision.
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I would have killed to do 'Beauty And The Beast' at Warners, which went away. I would have killed to do 'The Witches' at Warners that went away. God knows there are many, many of them. All I can do is diligently do the screenplay, diligently do the design work, deliver a budget, and then await a decision.
I believe that we will elevate and differentiate the discourse of cinema the more we discuss image creation in specific terms.
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I believe that we will elevate and differentiate the discourse of cinema the more we discuss image creation in specific terms.
Every project that you write about or read about, it goes through years of hard work. We write a screenplay; we design. Then you submit those and the budget, and it's out of your hands.
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Every project that you write about or read about, it goes through years of hard work. We write a screenplay; we design. Then you submit those and the budget, and it's out of your hands.
'Crimson' is written in a very particular style, and it's very precise in the way it graduates into a gothic romance. The souls that will connect with it will connect deeply.
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'Crimson' is written in a very particular style, and it's very precise in the way it graduates into a gothic romance. The souls that will connect with it will connect deeply.
The reason there's a 'Hellboy 2' is not because the studios were passionate about the first one; it's because the numbers made sense.
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The reason there's a 'Hellboy 2' is not because the studios were passionate about the first one; it's because the numbers made sense.
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