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Hassan Blasim


Full Name and Common Aliases


Hassan Blasim is a renowned Iraqi author, poet, and translator, often referred to by his pen name.

Birth and Death Dates


Born in 1973 (exact date unknown) in Baghdad, Iraq. Currently resides in Germany.

Nationality and Profession(s)


Iraqi-German national, writer, poet, and translator.

Early Life and Background


Hassan Blasim grew up in a war-torn Iraq, where his family struggled to make ends meet amidst the turmoil of the 1990s Gulf War. He was raised by his mother after his father's disappearance during this time. This tumultuous childhood would later influence his writing.

Major Accomplishments


Blasim is best known for his short story collection The Map of Love, which explores themes of war, displacement, and the human condition through magical realism. His work has been translated into multiple languages and has garnered international recognition.

Notable Works or Actions


Some notable works include:

_The Map of Love_ (2010) - a collection of short stories set in post-war Iraq.
_God's Prostitutes_ (2003) - his first book, which explores themes of war and its aftermath.

Impact and Legacy


Blasim's writing has been praised for its unique blend of magical realism and gritty realism. His portrayal of the human cost of war resonates with readers worldwide, making him a prominent voice in contemporary literature.

Why They Are Widely Quoted or Remembered


Hassan Blasim is widely quoted and remembered for his unflinching portrayal of the horrors of war and its impact on individuals and society. His work serves as a testament to the power of literature in capturing the complexities of human experience during times of conflict.

Hassan Blasim's writing often explores the intersection of politics, culture, and personal identity. Through his stories, he sheds light on the devastating effects of war on ordinary people, making him an important voice in contemporary literature.

His use of magical realism allows readers to connect with the emotional toll of war beyond mere factual accounts. By capturing the essence of human suffering, Blasim's work has sparked meaningful conversations about peace, justice, and the importance of preserving humanity during times of conflict.

Blasim's writing continues to be widely read and studied due to its thought-provoking exploration of the human condition. His ability to convey the emotional depth of war and displacement has earned him recognition as a masterful storyteller.

Through his work, Hassan Blasim reminds us that literature can be both an escape from reality and a reflection of our shared humanity.

Quotes by Hassan Blasim

The pleasure I found in reading books was disconcerting... I felt anxious about every new piece of information. I would latch onto one particular detail and start look for references and other versions of it in other writings. I remembered, for example, that for quite some time I tracked down the subject of kissing. I read and read and felt dizzy with the subject, as if I had eaten a psychotropic fruit.
"
The pleasure I found in reading books was disconcerting... I felt anxious about every new piece of information. I would latch onto one particular detail and start look for references and other versions of it in other writings. I remembered, for example, that for quite some time I tracked down the subject of kissing. I read and read and felt dizzy with the subject, as if I had eaten a psychotropic fruit.
You can’t understand beauty without peace of mind and you can’t get close to the truth without fear.
"
You can’t understand beauty without peace of mind and you can’t get close to the truth without fear.
I wanted to reach back to other times I might have lived in, the traces of which are scattered to places I previously thought imaginary.
"
I wanted to reach back to other times I might have lived in, the traces of which are scattered to places I previously thought imaginary.
You can't understand beauty without peace of mind and you can't get close to the truth without fear.
"
You can't understand beauty without peace of mind and you can't get close to the truth without fear.
...I believe in dreams more than I believe in God. Dreams get into you and leave, then come back with new fruit, but God is just a vast desert.
"
...I believe in dreams more than I believe in God. Dreams get into you and leave, then come back with new fruit, but God is just a vast desert.
On more than one occasion I heard how life apparently advances, moves on, sets sail or, at worst, apparently crawls slowly forward. My life, on the other hand, simply exploded like a firecracker in the hand of God, a small flare in his mighty firmament of bombardment.
"
On more than one occasion I heard how life apparently advances, moves on, sets sail or, at worst, apparently crawls slowly forward. My life, on the other hand, simply exploded like a firecracker in the hand of God, a small flare in his mighty firmament of bombardment.
Then he thrust the knife into my stomach and said:"You're shaking.
"
Then he thrust the knife into my stomach and said:"You're shaking.
The pleasure I found in reading books was disconcerting...I felt anxious about every new piece of information. I would latch onto one particular detail and start look for references and other versions of it in other writings. I remembered, for example, that for quite some time I tracked down the subject of kissing. I read and read and felt dizzy with the subject, as if I had eaten a psychotropic fruit.
"
The pleasure I found in reading books was disconcerting...I felt anxious about every new piece of information. I would latch onto one particular detail and start look for references and other versions of it in other writings. I remembered, for example, that for quite some time I tracked down the subject of kissing. I read and read and felt dizzy with the subject, as if I had eaten a psychotropic fruit.
The dead, Your Honor, do not agonize over their crimes and do not long to be happy, as you know.
"
The dead, Your Honor, do not agonize over their crimes and do not long to be happy, as you know.
There's no need to kick him in the balls for him to tell the story honestly and impartially, because the dead are usually honest, even the bastards among them.
"
There's no need to kick him in the balls for him to tell the story honestly and impartially, because the dead are usually honest, even the bastards among them.
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