I'm happy without money.

I’m very comfortable with horses. I love horses and I have grown up around farm-hands. There’s something very universal about anyone who’s on horseback night and day. When you get off that horse, you are still walking as if there’s still a horse between your legs.

If having true love and love that is expressive and free outside of work affects a project where you have to be restrained and in denial and fixed and closed off. This doesn’t mean you go out and just destroy your love outside of your life and kind of mirror your movie.

I generally don’t think most situations can be labeled as black or white.

The first memory I have, anyway, I guess – I think it was my second birthday and the cake came out with the candles and I was very excited and I was, like, “Oh! A cake!” and then my cousin blew out the candles. I was so disappointed. It just broke my heart. And so that’s stamped in my brain.

It’s kind of a rule of thumb for me to self-doubt going into any kind of project. I always think that I shouldn’t be doing it and I don’t know how to do it and I’m going to fail and that I fooled them. I always try to find a way out.

Growing up in Australia, you never feel like you’re going to live beyond that place. You wake up and you go to the beach, and you do your homework. You’re just a kid.

The reason that you dance and sing is to make the audience feel like they’re dancing and singing. As long as you’re having fun with it and giving it 100 percent, they’re gonna feel that.

Had I listened to my agent, I’d be running around in tights, climbing buildings and stuff.

I feel like I’ve never been in a film that people have liked before.