The animators are absolutely extraordinary. It's mind-boggling.

No matter how many modern parts I do, people still refer to me as Mrs. Costume Drama. Fight Club is a studio pic, and I've done very few of those. I've got a feeling it's going to change things for me.

I'm always attracted to lower budget, not because it's lower budget, but because they tend to be better scripts. It's the scripts that tend to be the small arthouse film that tend to be more actor-led and character driven.

When I was young I had so many inferiority complexes. I had an inferiority complex because I didn't go to university. I had an inferiority complex because I didn't train. Then it gets tiring. And you do get bored of it.

No matter how many modern parts I do, people still refer to me as Mrs. Costume Drama. Fight Club is a studio pic, and I’ve done very few of those. I’ve got a feeling it’s going to change things for me.

It was a challenge to be able to create a character without being able to use one’s normal set of expressions. All the rubber and makeup attached to your face left you with only a modest range of facial movements.

As everyone, you do end up becoming your mother, but also as you’re acting, I find out you become every member of your family, bits come out without you really wanting them to come out.

Journalists are always calling my features Edwardian or Victorian, whatever that means. I am small, and people were smaller in those times. I’m pale and sickly-looking. I look fragile-like a doll. But sometimes I just wish I had less of a particular look, one that was more versatile.

I should get a few ribs taken out, because I’ll be in a corset for the rest of my life.

Famous people come up to me, but I don’t know who they are because my sight is so bad. It’s always at the pool of the Four Seasons in Beverly Hills when I don’t have my lenses in and my glasses are in my room.