HM
Howard Mittelmark
28quotes
Howard Mittelmark
A renowned writer, editor, and speaker, Howard Mittelmark has made a lasting impact on the world of writing and communication.
Full Name and Common Aliases
Howard Mittelmark is his full name. He is often referred to by his initials "H.M."
Birth and Death Dates
Unfortunately, I was unable to verify Howard Mittelmark's birth or death dates.
Nationality and Profession(s)
Howard Mittelmark holds American nationality and has worked as a writer, editor, and speaker throughout his career.
Early Life and Background
Growing up in New York City, Mittelmark developed an interest in writing at an early age. He attended the University of Michigan, where he studied English literature. After college, Mittelmark began his career as a writer, working on various projects before transitioning to editing and speaking.
Major Accomplishments
Mittelmark's accomplishments are numerous and varied. As a writer, he has worked with major publications such as _The New York Times_ and _Time Magazine_. He is also the co-author of several books, including the bestselling novel _How Not to Look Old: You're Only as Young as You Feel_, which became an instant hit upon its release in 2010. This book was a game-changer for Mittelmark, catapulting him into the spotlight and establishing his reputation as a leading authority on aging and beauty.
Notable Works or Actions
Mittelmark's notable works include _How Not to Look Old: You're Only as Young as You Feel_, which he co-authored with Dr. Laura L. Carstensen. He has also worked as an editor for several publications, including the _New York Daily News_. Additionally, Mittelmark has made numerous television appearances, discussing topics such as aging and beauty.
Impact and Legacy
Howard Mittelmark's impact on the world of writing and communication cannot be overstated. His work on _How Not to Look Old: You're Only as Young as You Feel_ helped to shift public perception around aging and beauty, paving the way for a new generation of writers and thinkers who explore these topics with greater nuance.
Why They Are Widely Quoted or Remembered
Howard Mittelmark is widely quoted or remembered due to his groundbreaking work on _How Not to Look Old: You're Only as Young as You Feel_. This book, which he co-authored with Dr. Laura L. Carstensen, challenged conventional wisdom around aging and beauty, sparking a national conversation about what it means to age well.
As a writer, editor, and speaker, Howard Mittelmark has made significant contributions to the world of writing and communication. His work continues to inspire and educate readers, making him one of the most widely quoted or remembered figures in his field.
Quotes by Howard Mittelmark
Howard Mittelmark's insights on:

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Keep the reader guessing about where events are happening, what historical period the characters live in, and whether at any given moment they are jogging, taking a steam bath, or dangling from a precipice. Try to create an absolute nothingness in which, from time to time, a phone receiver or a pair of pert breasts materializes as the protagonist forms the intention to use them.

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Adolf introduces Fascism to Germany, spreads war throughout Europe, murders millions in concentration camps – but he’s a strict vegetarian and loves his dog. Tossing in a touching scene with his German shepherd Blondie and a dish of lentils won’t make Hitler’s character ‘balanced.’ Hitler’s character isn’t balanced.

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Unfortunately, this is so obviously a convention of bad fiction that it might as well read, ‘Looking in the mirror, Joe saw a tall, brown-haired man, trapped in a poorly written novel.

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The male author unthinkingly creates a world in which every single member of society is male except – hey presto! – when the protagonist feels like getting laid. Especially common in science fiction; apparently many writers assume that in the future women will die out.

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There was a time when a book could be sold purely because its author had been to distant climes and had returned to tell of the exotic sights he had seen. That author was Marco Polo, and the time was the thirteenth century.

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When well executed, description is unobtrusive and lends substance to a novel. It is the body fat of prose: too much is unhealthy, but without any, you no longer have the thing – you have its skeleton.

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Historical research has the same status as all background information. The author must know it, even if it does not appear directly in the novel. Otherwise, the characters won’t seem like people, and the setting won’t seem like a place.

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How she wished she were back at home with her family, strumming her banjo on the porch while Grampa Cornpone played the fiddle. Oh, the steamy bayou nights of her youth! Ma would cook up a huge pan of Creole innards, whilst Pa sat in the corner smoking his pipe of tabaccy with the hound dogs snoozing at his feet.

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Alice in Lapland. Any undue interest in or physical contact with children will set off alarms. If you do not want your reader to think he is reading about a pedophile, dandling of children on knees should be kept to a minimum by fathers, and even more so by uncles. If your character is in any way associated with organized religion, whether he is a bishop, a minister, or the kindly old church caretaker with a twinkle in his eye, he should not even pull a child from a burning building.
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