Howlin' Wolf
Howlin' Wolf: The Legendary Blues Musician
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Full Name and Common Aliases
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Credited with a distinctive voice that was both powerful and haunting, Chester Arthur "Howlin' Wolf" Burnett is widely regarded as one of the most influential blues musicians of all time.
Birth and Death Dates
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Born on June 10, 1910, in White Station, Mississippi, Howlin' Wolf passed away on January 10, 1976, in Chicago, Illinois.
Nationality and Profession(s)
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Nationality: American
Profession(s): Blues Musician, Singer, Songwriter, Harmonica Player
Early Life and Background
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Growing up in the Mississippi Delta region, Howlin' Wolf was exposed to blues music from an early age. He began playing harmonica at 11 years old and went on to develop a distinctive, raspy singing style that would become his hallmark.
As a young man, Howlin' Wolf worked as a sharecropper and later as a truck driver, but it wasn't until the late 1930s that he began to gain recognition as a musician. He played alongside notable blues musicians such as Sonny Boy Williamson II and Charley Patton before eventually settling in Chicago, where he would go on to achieve widespread fame.
Major Accomplishments
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Throughout his career, Howlin' Wolf released numerous successful albums, including Moanin' in the Moonlight (1959), Howling Wolf Sings Moanin' at Midnight (1962), and The Howlin' Wolf Album (1971). He was also a prolific songwriter, penning classic tracks such as "Smokestack Lightning" and "Killing Floor".
In 1987, three years after his death, Howlin' Wolf was inducted into the Rock and Roll Hall of Fame.
Notable Works or Actions
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Some of Howlin' Wolf's most notable works include:
Moanin' in the Moonlight: A classic album released in 1959 that showcases Wolf's unique blend of blues, gospel, and rhythm & blues styles.
Smokestack Lightning: A song written by Willie Dixon and recorded by Howlin' Wolf in 1960, which has since become one of his most iconic tracks.
Impact and Legacy
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Howlin' Wolf's influence on the development of blues music cannot be overstated. He was a key figure in the Chicago blues scene of the 1950s and 1960s, alongside musicians such as Muddy Waters and Little Walter.
Wolf's powerful, emotive voice and masterful harmonica playing continue to inspire new generations of musicians. His legacy extends far beyond his own music, however – he was also a key figure in shaping the sound of rock & roll, influencing artists from The Rolling Stones to Led Zeppelin.
Why They Are Widely Quoted or Remembered
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Howlin' Wolf is widely quoted and remembered for his distinctive voice, masterful harmonica playing, and enduring contributions to the blues genre. His legacy continues to inspire musicians and fans alike, making him one of the most beloved figures in American music history.
With a career spanning over four decades, Howlin' Wolf left an indelible mark on the world of music. His unforgettable voice and timeless songs will continue to captivate audiences for generations to come.
Quotes by Howlin' Wolf

A lot of people wonder, what is the blues? Well, I’m gonna tell you what the blues is...

Ain’t no better place than the US. This is a free enterprise system. You can get whatever you want in the US.

A lot of people wonder, what is the blues? Well, I'm gonna tell you what the blues is...

Watch out strange cat people, little red roosters on the prowl. If you see my little red rooster, please drive him home.
![I don't have anything to say about the guy [Muddy Waters], you know. Treat me all right. But I can this: they are jealous hearted, you know. Are jealous hearted musicians, you know. See, if you can't do like your songs, get kinda jealous of you. Like you, like they think you better than them and all that, but I don't fool with those kind of peoples, you know. I ain't got the time.](/_vercel/image?url=https:%2F%2Flakl0ama8n6qbptj.public.blob.vercel-storage.com%2Fquotes%2Fquote-2720945.png&w=1536&q=100)
I don't have anything to say about the guy [Muddy Waters], you know. Treat me all right. But I can this: they are jealous hearted, you know. Are jealous hearted musicians, you know. See, if you can't do like your songs, get kinda jealous of you. Like you, like they think you better than them and all that, but I don't fool with those kind of peoples, you know. I ain't got the time.

I don't play anything but the blues, but now I could never make no money on nothin' but the blues. That's why I wasn't interested in nothin' else.



