Hume Cronyn
Hume Cronyn was a Canadian-American actor, director, and screenwriter born on July 18, 1911, in London, Ontario, whose career encompassed stage, film, and television work conducted in the English language.
Cronyn attended Ridley College before pursuing studies at McGill University, and he later trained formally at the American Academy of Dramatic Arts. These years of preparation shaped a professional life that moved fluidly across performing disciplines. On stage he earned a Tony Award for Best Featured Actor in a Play, while his television work brought him two Primetime Emmy Awards — one for Outstanding Lead Actor in a Miniseries or a Movie and another for Outstanding Supporting Actor in the same category. His work as a screenwriter and film director added further dimensions to a career that refused to settle into a single medium. He held dual citizenship in Canada and the United States, and that transatlantic identity found recognition on both sides of the border.
The honors Cronyn accumulated in later life reflected the breadth of that career. He received the National Medal of Arts, the Kennedy Center Honors, induction onto Canada's Walk of Fame, and appointment as an Officer of the Order of Canada. He died on June 15, 2003, in Fairfield, New York. Across the decades, his work remained rooted in the craft of performance — on stage before a live audience, before a camera in film, and in the more intimate register of television — a range that the awards he received across all three forms serves to confirm.
Quotes by Hume Cronyn

I try to read everything that’s sent me – play scripts, movie scripts – but I’ve had to make a rule. If the author hasn’t grabbed me by Page 25, the piece goes back with a note of apology.

To go on being an actor, you need sheer animal energy. If you can’t restock your energy, you have to hide your lack of it.

I do a lot of planning and plotting. That’s my greatest weakness. If I’m not terribly careful, I’ll plan to a point where it could come out cut and dried.

I fill my life with a lot of ‘busyness’ in between jobs. Then I work very hard. Some of it is quite unhealthy. It’s compulsive. I don’t know what to do about it. I’m a little old to change.

The whole business of marshaling ones energies becomes more and more important as one grows older.

To go on being an actor, you need sheer animal energy. If you can't restock your energy, you have to hide your lack of it.

I've had a bad time, which we won't dwell on. We were married and we worked together for 52 years, and suddenly with her gone I was a quadriplegic. Slowly I'm crawling back.


