Ian C. Esslemont
=====================

Full Name and Common Aliases


---------------------------------

Ian Cameron Esslemont is the full name of the Australian author commonly known as Ian C. Esslemont.

Birth and Death Dates


-------------------------

Born: June 8, 1959
No death date available

Nationality and Profession(s)


-------------------------------

Australian author and fantasy writer are the primary nationalities and professions associated with Ian C. Esslemont.

Early Life and Background


---------------------------------

Ian C. Esslemont was born in Melbourne, Victoria, Australia in June 1959 to a family that encouraged his creativity from an early age. His interest in fantasy and science fiction began during his childhood, heavily influenced by authors such as J.R.R. Tolkien and Frank Herbert.

Major Accomplishments


---------------------------

As the primary co-author of the epic fantasy series _Malazan Book of the Fallen_ with Steven Erikson, Ian C. Esslemont has made significant contributions to the world of fantasy literature. The series includes 10 novels, released between 1999 and 2012.

Notable Works or Actions


--------------------------------

Ian C. Esslemont's notable works include:

_Nightfall_, published in 2004, is the first standalone novel set within the Malazan world.
_Return of the Dead_ (also known as _Deadhouse Gate_), published in 2007, continues the story started by Steven Erikson.
* The Dancers at the End of Time series explores a different world, with _Dancer's Blade_ released in 2010.

Impact and Legacy


-------------------------

The collaboration between Ian C. Esslemont and Steven Erikson has significantly expanded the fantasy genre, introducing complex characters and intricate storylines that captivate readers worldwide. The Malazan Book of the Fallen series has been praised for its depth, complexity, and immersive world-building, making it a cornerstone of modern epic fantasy.

Why They Are Widely Quoted or Remembered


---------------------------------------------

Ian C. Esslemont's influence on contemporary fantasy literature is substantial, thanks to his meticulous craftsmanship in crafting engaging characters and detailed settings. His unique storytelling style has inspired numerous authors and helped shape the direction of the genre as a whole.

Through his contributions to the Malazan world, Ian C. Esslemont has left an indelible mark on the fantasy community. His dedication to creating richly detailed stories has earned him a dedicated following among fans of epic fantasy worldwide.

Quotes by Ian C. Esslemont

When one considers such ancient times one’s only recourse is the language of poetry. Thus legends, myths, creation accounts, history. All are no more than stories shaped to justify the present appearance of things.
"
When one considers such ancient times one’s only recourse is the language of poetry. Thus legends, myths, creation accounts, history. All are no more than stories shaped to justify the present appearance of things.
The heart was where people truly lived, and died.
"
The heart was where people truly lived, and died.
Paradise would be a city where pearls cobble roads and gems serve as playthings for children. And why? Not because all will be so wealthy, but because its citizens will have recognized that such things truly are toys.
"
Paradise would be a city where pearls cobble roads and gems serve as playthings for children. And why? Not because all will be so wealthy, but because its citizens will have recognized that such things truly are toys.
Sarge?’ ‘What?’ ‘I was thinkin’ – ’ ‘How many times I gotta tell you not to do that, son. Bad for your health.
"
Sarge?’ ‘What?’ ‘I was thinkin’ – ’ ‘How many times I gotta tell you not to do that, son. Bad for your health.
Tyranny remains because the weak and fearful seek it.
"
Tyranny remains because the weak and fearful seek it.
The problem with paths is that once you have chosen one, You cannot choose the others. Attributed to Gothos.
"
The problem with paths is that once you have chosen one, You cannot choose the others. Attributed to Gothos.
The Malazan way,’ he breathed. ‘The murderer’s touch. A brush of cloth. A sip of wine. The gleam of a blade as fine as a snake’s tooth. Your name whispered just as you fall into sleep.
"
The Malazan way,’ he breathed. ‘The murderer’s touch. A brush of cloth. A sip of wine. The gleam of a blade as fine as a snake’s tooth. Your name whispered just as you fall into sleep.
He knew that music spoke to the emotions, not the intellect. The heart was where people truly lived, and died. He also knew that this magic that music and poetry were said to possess was the power to touch that heart.
"
He knew that music spoke to the emotions, not the intellect. The heart was where people truly lived, and died. He also knew that this magic that music and poetry were said to possess was the power to touch that heart.
Xethel laughed again, though rather nervously this time. ‘Then I name you Amman-an-ash. The One Who Would Know Everything.’ She nodded in Dancer’s direction. ‘And you I name Coth-tel-ish-ath. The One Who Watches and Judges.
"
Xethel laughed again, though rather nervously this time. ‘Then I name you Amman-an-ash. The One Who Would Know Everything.’ She nodded in Dancer’s direction. ‘And you I name Coth-tel-ish-ath. The One Who Watches and Judges.
The superstitions of the ignorant are no concern of mine.
"
The superstitions of the ignorant are no concern of mine.
Showing 1 to 10 of 24 results