JJ

J. J. Abrams

131quotes
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Jeffrey Jacob Abrams is an American filmmaker born in New York City on June 27, 1966, whose work spans directing, writing, producing, composing, and acting across both film and television.

Abrams attended Palisades Charter High School before going on to study at Sarah Lawrence College. Those years preceded a career that would extend across multiple roles in the entertainment industry, with Abrams taking on responsibilities as a screenwriter, film director, film producer, showrunner, television director, and film score composer — an unusually broad range of credited occupations within a single career.

Among the formal recognition he has received, Abrams earned a Primetime Emmy Award for Outstanding Directing for a Drama Series, as well as a Writers Guild of America Award for Television in the Dramatic Series category. The two awards together reflect his standing in both the directing and writing sides of television production, and the fact that he collected honors in distinct crafts points to how consistently he has moved between them rather than settling into a single lane.

His work in composition — both as a general composer and specifically as a film score composer — adds another dimension to his output, one that sits alongside his better-documented roles behind the camera and at the keyboard writing scripts. English-language film and television production for American audiences has been the consistent frame around all of these activities, from his schooling in California through his professional work as a director, producer, writer, and composer.

Quotes by J. J. Abrams

J. J. Abrams's insights on:

My work isn't any more important than anything else in the family.
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My work isn't any more important than anything else in the family.
I've never done Twitter.
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I've never done Twitter.
I'm a fast writer.
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I'm a fast writer.
You know, we didn't want to kill anyone, but we knew that "Star Wars" is a generational tale. It always is. And for it to have some guts and some resonance and true stakes, I don't think that everyone could have come through the story unscathed.
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You know, we didn't want to kill anyone, but we knew that "Star Wars" is a generational tale. It always is. And for it to have some guts and some resonance and true stakes, I don't think that everyone could have come through the story unscathed.
I'm an impatient guy and tend not to like to stay with one thing for a long time. I'll never be able to write as many scripts as I did for "Felicity" or "Alias" ever again. I'm just too impatient these days. I want to get on to the next project.
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I'm an impatient guy and tend not to like to stay with one thing for a long time. I'll never be able to write as many scripts as I did for "Felicity" or "Alias" ever again. I'm just too impatient these days. I want to get on to the next project.
I'm literally open to any medium that will have me.
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I'm literally open to any medium that will have me.
It's cool to be a nerd. There's a general understanding that smartphones didn't come from jocks. The digital age was foreseen by a group of short-sleeved, buttoned-down, white-shirted guys and their female equivalents designing the very stuff that's now ubiquitous.
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It's cool to be a nerd. There's a general understanding that smartphones didn't come from jocks. The digital age was foreseen by a group of short-sleeved, buttoned-down, white-shirted guys and their female equivalents designing the very stuff that's now ubiquitous.
Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this "Star Wars" movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.
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Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this "Star Wars" movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.
I feel like obviously the standard for what TV looks like changes all the time.
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I feel like obviously the standard for what TV looks like changes all the time.
I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
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I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
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