Imagination - that's the future for us.

I’ve found places that are just as beautiful as New England, but this is my home.

I just love to draw. It’s very intense for me. The day will just go by like the snap of a finger. A lot of times I’ll draw or paint late into the night. When I am really concentrating, I kind of lose track of what I am doing.

Of all people, children are the ones that really understand when there’s a truth there for them – an emotional truth. The characters really have to work. Children, as an audience, are very inspirational for me.

The books take a year just to do the drawing. I will travel to a country to do the research and get ideas. Sometimes I don’t travel to do research, but mostly I do. It takes a long time, but do I ever get tired of it? Not really. The characters kind of grow and evolve.

A children’s book is the perfect place where young readers can understand the world because they can take a deep breath and look at it and imagine and contemplate while they’re looking at.

I always feel like my book is a success when I see a child reading it, and they have their pointer finger out, and they kind of keep their place as they look all around the page. I’ve always been impressed by how children are so observant.

I remember kids used to give me a penny for drawing them a horse. I loved horses, but I couldn’t have one, so I would draw a horse for myself. I would make it food and a blanket for it to wear and a place to live.

I loved being a child. If I do have a talent, it’s not so much being an artist, but it’s being able to remember back to that time.

When I was little I used to wish I could talk to the illustrators because I wanted to discuss something about the books. With so many of the other art forms that children experience, such as movies and television, they don’t get to control the pace.