The good thing about people really is their iffy-ness and dodginess, isn't it?

To look for some kind of insight or meaning in pop songs is not really - well there's plenty of other places where you should probably look first before you start looking for it in a pop song. I guess it was just because I was really into music as a child, and I wanted it to say more. It was the thing, wasn't it? And now it isn't.

Don’t think that the things around you don’t count, because they do.

I always feel like there are specific things about Houston. There’s one museum in particular in Houston. So many of the things that I’m interested in now I can sort of trace back to that museum, which introduced me to them.

The most entertaining songs don’t always come from a nice place. In songs where I think I’m being really sensitive, they seem quite boring actually. I’ve found that the songs that come out of nastier, more misanthropic places are better.

I got a pair of red, synthetic satin women’s pants through the post the other day with a phone number on. That was quite strange. I haven’t tried the phone number. In times of stress I may.

I guess I’m fairly insistent and maybe consistent. If I decide I’ll do something, I generally will.

Well, once you’ve resigned yourself to the fact that you are the more mature pop performer and you’re past the age you ever thought you would do it, you might as well do it as long as you can. As long as I can still lift a microphone, then I’ll do it, you know.

I’m always nervous when I perform anyway.

For TV you also get those pre-interviews when researchers ask you what you’re going to say. The pre-interview drives me insane. If they’ve already decided the outcome, why don’t I just hand in an essay? Maybe if we talk we’ll find something out. I’d rather just have an awkward pause.