I think sequels should be earned and we won’t do it unless the script is better than the first one.

I do love DVD and I’ve always taken them seriously. You know, on the Austin things, we really put a ton of work into them because there’s so much design involved. And in this one, we thought a lot about it and what could go in.

I learn so much from watching films like that with commentary and then when you get to hear another filmmaker talk about their films it’s a really great experience.

When I’m shooting, really the audience I’m thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.

As long as we, again, kind of keep earning the sequels with material and I’m confident Mike can, I’m in. You know I always want to do those. But I also want to keep going in some of the direction as Meet the Parents has.

I’m developing some other things in other genres, including one dramatic piece. So, anything’s possible.

I like to shoot a lot of choices. I like a lot of stuff – and so I push to go faster, to shrink the time between the takes so that the takes are what you’re spending all your time on.

It seems like you can’t actually have really bad hair or be bald and run for President of the United States.

But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won’t show something that’s embarrassing.

My favorite laser disk ever was the laser disk for The Graduate, which had a commentary track that wasn’t even the filmmakers, it was a professor, some film criticism guy who just happen to be this amazing commentator who went off into the whole theory of comedy.