It suggests that however innovative Obama’s speeches and Lin’s show might seem, they are, in fact, traditional. They don’t reinvent the American character, they renew it.

The myth of ‘You have to be a tortured artist’ is a myth,” says Lin. “You can have a happy, healthy life and still go to all these crazy dark places in your writing, and then go play with your child and hug your wife.

The past places no absolute limit on the future.

It suggests that however innovative Obama's speeches and Lin's show might seem, they are, in fact, traditional. They don't reinvent the American character, they renew it.

Serving [Hamilton's] legacy didn't just mean commemorating him, though: It also meant continuing his work. [Eliza] crusaded against slavery, as Hamilton had. And this widow of an orphan helped to found the first private orphanage in New York. That's the real power of a legacy: We tell stories of people who are gone because like any powerful stories, they have the potential to inspire, and to change the world.

On opening night, standing under the Rogers's marquee, [Lin] realized that if Eliza's struggle was the element of Hamilton's story that had inspired him the most, then the show itself was a part of her legacy.