JN

Jessye Norman: A Legendary Vocalist with a Lasting Impact


Full Name and Common Aliases


Jessye Mae Norman was an American soprano known professionally as Jessye Norman.

Birth and Death Dates


Born on September 15, 1945, in Augusta, Georgia; passed away on September 30, 2019, at the age of 74.

Nationality and Profession(s)


Norman's nationality was American. As a professional, she was primarily known for her work as a soprano singer and educator.

Early Life and Background


Growing up in a musical family, Norman began singing in church choirs at an early age. She attended the University of Michigan, where she studied classical music and opera. In 1968, Norman graduated with a degree in vocal performance from the New England Conservatory of Music in Boston.

Major Accomplishments


During her illustrious career, Jessye Norman achieved numerous accolades and set several milestones:

She was one of the first African American sopranos to perform major roles at the Metropolitan Opera House in New York City.
Norman sang in many prominent concert halls worldwide, including Carnegie Hall, Royal Albert Hall, and the Berlin Philharmonie.
Throughout her career, she worked with renowned conductors such as Herbert von Karajan, Leonard Bernstein, and Zubin Mehta.

Notable Works or Actions


Some notable performances and recordings by Jessye Norman include:

Her rendition of Mahler's "Kindertotenlieder", which received critical acclaim worldwide.
She was a vocal proponent for the preservation of classical music and arts education, advocating for their importance in society.

Impact and Legacy


Jessye Norman left an indelible mark on the world of classical music. Her dedication to promoting arts education and her contributions to breaking racial barriers paved the way for future generations of musicians:

Norman was awarded numerous honors, including a National Medal of Arts, a Grammy Award, and a Kennedy Center Honor.
She continued to perform until her passing in 2019, leaving behind a legacy that will continue to inspire artists and music lovers alike.

Why They Are Widely Quoted or Remembered


Jessye Norman's impact on the world of classical music is still felt today. Her contributions as a singer, educator, and advocate have made her one of the most beloved and respected figures in the industry:

As an artist, she demonstrated unwavering dedication to her craft, pushing boundaries and breaking down barriers.
* Through her philanthropic efforts, Norman inspired countless individuals to pursue careers in the arts.

Quotes by Jessye Norman

I'm dying always.
"
I'm dying always.
It is still more likely that a woman’s power would be seen as aggression, and a man’s power would be seen as assertion.
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It is still more likely that a woman’s power would be seen as aggression, and a man’s power would be seen as assertion.
I like so many different kinds of music that I’ve never allowed myself the limitations of one particular range.
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I like so many different kinds of music that I’ve never allowed myself the limitations of one particular range.
I have a particular affliction. I am unable to say a word I can’t spell.
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I have a particular affliction. I am unable to say a word I can’t spell.
As for my voice, it cannot be categorized-and I like it that way, because I sing things that would be considered in the dramatic, mezzo or spinto range. I like so many different kinds of music that I’ve never allowed myself the limitations of one particular range.
"
As for my voice, it cannot be categorized-and I like it that way, because I sing things that would be considered in the dramatic, mezzo or spinto range. I like so many different kinds of music that I’ve never allowed myself the limitations of one particular range.
If you send up a weather vane or put your thumb up in the air every time you want to do something different, to find out what people are going to think about it, you’re going to limit yourself. That’s a very strange way to live.
"
If you send up a weather vane or put your thumb up in the air every time you want to do something different, to find out what people are going to think about it, you’re going to limit yourself. That’s a very strange way to live.
I want to sing more in Spanish. I want to sing the songs of Granados; the songs of Montsalvatge. To do things that truly I’ve not done before.
"
I want to sing more in Spanish. I want to sing the songs of Granados; the songs of Montsalvatge. To do things that truly I’ve not done before.
There’s no anger ever in a spiritual. There’s always the dream of a hope of a better day coming. That God understands the troubles that I’m experiencing.
"
There’s no anger ever in a spiritual. There’s always the dream of a hope of a better day coming. That God understands the troubles that I’m experiencing.
I was given a stethoscope in a child’s ‘doctor’s bag’ at about age six and I loved it! One could hear the heart beating through that plastic toy.
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I was given a stethoscope in a child’s ‘doctor’s bag’ at about age six and I loved it! One could hear the heart beating through that plastic toy.
I feel comfortable singing in the great cathedrals of the world because I spent so much time as a child singing in church. And it isn't very different. Of course, nothing looks quite like Notre Dame de Paris.
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I feel comfortable singing in the great cathedrals of the world because I spent so much time as a child singing in church. And it isn't very different. Of course, nothing looks quite like Notre Dame de Paris.
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