John Singer Sargent
John Singer Sargent
Full Name and Common Aliases
John Singer Sargent was born as John Singer Sargent Jr., but he is commonly known simply as John Sargent.
Birth and Death Dates
April 12, 1856 – August 14, 1925
Nationality and Profession(s)
Sargent held dual American and British nationality, and his profession was that of a painter, specifically a portrait artist.
Early Life and Background
Born in Florence, Italy to American parents, Sargent's early life was marked by travel and exposure to various cultures. His father, FitzWilliam Sargent, was an American surgeon who had settled in Europe, while his mother, Mary Newbold Singer Sargent, was from a wealthy Philadelphia family. This cosmopolitan upbringing would later influence Sargent's art, which often reflected the cultural diversity of the era.
As a child, Sargent received private lessons in drawing and painting from the Swiss artist, Francia. His talent became evident early on, and by 1873, he had enrolled at the esteemed École des Beaux-Arts in Paris to further hone his skills. There, he was exposed to the works of the Old Masters and began developing his signature style.
Major Accomplishments
Sargent's artistic career spanned over four decades and was marked by numerous accolades. Some of his most notable accomplishments include:
Becoming a renowned portrait artist, with commissions from royalty, aristocrats, and prominent figures of the time.
Exhibiting at the Paris Salon in 1879 and receiving critical acclaim for his work.
Being appointed as an Official War Artist during World War I, where he documented soldiers and their experiences.Notable Works or Actions
Some of Sargent's most notable works include:
"Madame X," a portrait of Virginie Amélie Avegno Gautreau that caused controversy for its perceived immodesty.
"El Jaleo," a painting depicting Spanish dancers, which showcases his ability to capture the energy and movement of his subjects.
His extensive collection of watercolors, particularly those created during his travels in Morocco.
Impact and Legacy
John Singer Sargent's impact on the art world cannot be overstated. He revolutionized portrait painting with his innovative use of color and composition. His work continues to inspire artists today, from Francis Bacon to David Hockney, who have cited him as an influence. Moreover, Sargent's depiction of his subjects in candid, often unflattering poses challenged traditional notions of portraiture.
Why They Are Widely Quoted or Remembered
Sargent is widely quoted and remembered for his:
Innovative use of color and light, which captured the essence of his subjects.
Unflinching portrayal of reality, often pushing the boundaries of what was considered acceptable at the time.
* Immersive documentation of World War I, providing a poignant record of the human experience during conflict.
As an artist who consistently pushed the limits of what was possible with portraiture, Sargent's work continues to captivate audiences. His innovative style and commitment to capturing the truth have cemented his place as one of the most important portrait artists of all time.
Quotes by John Singer Sargent

The habit of breaking up one’s colour to make it brilliant dates from further back than Impressionism – Couture advocates it in a little book called ‘Causeries d’Atelier’ written about 1860 – it is part of the technique of Impressionism but used for quite a different reason.

I don’t dig beneath the surface for things that don’t appear before my own eyes.

You can’t do sketches enough. Sketch everything and keep your curiosity fresh.

A person with normal eyesight would have nothing to know in the way of ‘Impressionism’ unless he were in a blinding light or in the dusk or dark.

Cultivate an ever-continuous power of observation. Wherever you are, be always ready to make slight notes of postures, groups and incidents.

An artist painting a picture should have at his side a man with a club to hit him over the head when the picture is finished.

Cultivate an ever continuous power of observation. Wherever you are, be always ready to make slight notes of postures, groups and incidents. Store up in the mind... a continuous stream of observations from which to make selections later. Above all things get abroad, see the sunlight and everything that is to be seen.

I hate to paint portraits! I hope never to paint another portrait in my life. Portraiture may be all right for a man in his youth, but after forty I believe that manual dexterity deserts one, and, besides, the color-sense is less acute. Youth can better stand the exactions of a personal kind that are inseparable from portraiture. I have had enough of it.

