I don't think at that time I realized how important it was and how important it was for me to be here and carry on that legacy in our family of being a photographer.

If you're not going to tell something if you're not going to expose something it's real easy to go in and photograph from behind the camera and not expose any of your weaknesses.

If no one wants to jump into a Kim Weston and drive it down the street. That's fine with me I don't care. I know my work is good and I know it's serious work.

I tried painting for a short time and realized that I was not a child prodigy at painting.

Uncle Brett had a definite vision that he was after, I don't think having a famous father affected him much.

To me, that is the essence of me as a photographer. It is those ideas, working with them, formulating them and eventually putting them down on paper, photographing them and then going on to the next step.

Well, now I'm an old photographer and I still don't sell.

It doesn't matter what you do, as long as you're fulfilling that inner need, and for me the need is more the process than the finished product. My photographs are stories of the process.

I didn't want to travel. I didn't want to leave my family. I heard all these stories from Dad about not having Edward around when he was young, and I didn't want that to happen.

I felt no pressure that my grandfather was famous and my uncle was famous.