Lee Hazlewood
Lee Hazlewood: The Maverick Behind the Music
Full Name and Common Aliases
Lee Petherbridge was born on April 25, 1929, in Los Angeles, California. He is commonly known by his stage name, Lee Hazlewood.
Birth and Death Dates
April 25, 1929 – August 4, 2007
Nationality and Profession(s)
American singer, songwriter, record producer, and film composer.
Early Life and Background
Lee Hazlewood grew up in a musical family. His father was a musician who introduced him to the world of jazz and blues at an early age. Hazlewood's early life was marked by instability; he moved frequently with his mother before eventually settling in Los Angeles. This itinerant lifestyle would later influence his music, which often featured themes of dislocation and longing.
Hazlewood attended high school in California, where he began writing songs and developing his musical style. After graduating, he joined the US Navy during World War II, serving as a communications officer on a battleship. During his time in the service, Hazlewood continued to write music, eventually releasing his first single in 1957.
Major Accomplishments
Hazlewood's most significant contribution to popular culture is arguably his work with Nancy Sinatra and the "these boots are made for walkin'" phenomenon. However, he also wrote songs for other notable artists, including Elvis Presley, Dean Martin, and Tom Jones. Hazlewood's own music career spanned several genres, from country to psychedelia.
Hazlewood was a pioneer of the psychedelic sound, experimenting with unconventional recording techniques and instrumentation. His 1968 album, _The N.R.G. Album_, is often cited as one of the first true psychedelic rock albums. This innovative approach to music earned Hazlewood a reputation as a maverick in the industry.
Notable Works or Actions
Hazlewood's most famous collaboration with Nancy Sinatra was "Some Velvet Morning," which won several awards, including an Ivor Novello Award for Best Song. He also worked closely with other notable artists, such as Ann-Margret and Cher. Hazlewood's writing style was characterized by its use of memorable melodies and lyrics that often explored themes of love, heartbreak, and existential crises.
In addition to his work in the music industry, Hazlewood also dabbled in film composition. He scored the soundtracks for several films, including _The Whip and the Body_ (1963) and _Pepé Le Moko_ (1987).
Impact and Legacy
Hazlewood's influence on popular culture extends far beyond his own music career. His work with Nancy Sinatra helped pave the way for future collaborations between artists and producers. The "these boots are made for walkin'" phenomenon also marked a turning point in the development of girl-power iconography.
Hazlewood's innovative approach to recording and songwriting has inspired countless other musicians, including those from the psychedelic and acid rock genres. His impact can be heard in the work of artists such as The Velvet Underground, The Doors, and Pink Floyd.
Why They Are Widely Quoted or Remembered
Lee Hazlewood is widely remembered for his groundbreaking contributions to music and film composition. His innovative approach to songwriting and recording techniques has left a lasting impact on popular culture. As a producer, collaborator, and artist, Hazlewood's legacy continues to inspire new generations of musicians and fans alike.
Hazlewood's work with Nancy Sinatra and other notable artists solidified his place in the pantheon of music industry greats. His influence can be seen in everything from "these boots are made for walkin'" to the psychedelic soundscapes of 1960s rock music.
Quotes by Lee Hazlewood

So I became a producer because I knew one of the reasons was they didn’t do them the way I thought was right.

If it was Europe, I just picked a country that I hadn’t been to, but I didn’t try to check up on what was going on in the country or anything like that. I just went and had a good time and met a lot of very nice people who are still my friends.

The thing I hated about it was that you live in your trailer all the time and then they call you and you do maybe two dozen lines. Then they do that for three hours and you wait and wait and wait, and I don’t like waiting.

There’s nothing worse, I guess, than being black in an all-white church or being southern and being a liberal.

People think I’m crazy because I travel too much, but I haven’t been doing any of that lately because I got a little sick this year and I’ve tried to take care of it.

Well, you'll find the most boring part of it is the waiting, at least if it's in films anyway. Television's a lot faster, but the product... I don't think it's as good as a film.

People think I'm crazy because I travel too much, but I haven't been doing any of that lately because I got a little sick this year and I've tried to take care of it.

Nobody heard records of you playing whatever the melody was on those low strings. It worked out good, you know, about 25 or 26 million records later. I guess it worked out alright.

