Fans tend to think that if you fall in love with an artist... and then he gets bigger, and he grows, and he starts to make a different sound, 'He's changing on us.' But with me, I created all types of sounds from the get go, so you can never say I'm changing; you can never say I'm going mainstream or I'm selling out.

From tours to mixing, mastering, graphics, artwork - I've done out of pocket.

I think artists are interested in what people think of them.

Obviously, deep down, I want people to enjoy my music, but the only people I want to enjoy my music are the people who want Logic to win and are fans of me.

I don't know how I'm really perceived in the world.

When I was, like, 18, that's when I started to really take my own craft seriously and just noticed people were enjoying it. And when I put out my first mixtape, that's when I realized I could make this a career.

Ever since I was a little kid, I would always rap. I just loved it. But when I really got into it seriously was when I saw 'Kill Bill.'

People try to tell me like that, 'Oh, you shouldn't be proud,' or, 'You're not this,' or, 'You aren't that,' or whatever the hell. I'm just kinda here to say, like, who is anybody else to tell me who I am or what I've gone through or what I haven't gone through?

My mother was crazy.

Producing isn't just making beats on a beat machine. It's bringing together these string players with this flute player and this singer, and telling them to all work in the key of C major... You bring these people together and let them all cook.