Louis Aragon
Louis Aragon
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Full Name and Common Aliases
Louis Aragon was born Alphonse Dominique Rodríguez on August 3, 1897, in Paris, France. He is commonly known as Louis Aragon.
Birth and Death Dates
Aragon was born on August 3, 1897, and passed away on December 24, 1982.
Nationality and Profession(s)
Nationality: French
Profession: Writer, Poet, Literary Critic, Translator
Early Life and Background
Born to a French mother and Spanish father, Aragon's early life was marked by cultural diversity. His family moved to the countryside of France when he was three years old, where he spent most of his childhood. Aragon's exposure to various languages and cultures had a profound impact on his writing style and worldview.
During World War I, at the age of 17, Aragon joined the French army. He fought in several battles and was severely injured in 1916. This experience greatly influenced his writing, particularly his anti-war poetry. After recovering from his injuries, he began to develop his literary skills by reading extensively and writing short stories.
Major Accomplishments
Aragon's contributions to French literature are immense. Some of his notable accomplishments include:
Being a key figure in the Surrealist movement alongside André Breton
Writing influential works such as "Aurelien" (1944) and "Paris Peasant" (1926)
Serving as editor for the influential literary magazine "La Revolution Surréaliste"
Participating in the French Resistance during World War II
Notable Works or Actions
Some of Aragon's notable works include:
Aurelien (1944): A novel that explores the complexities of love and identity
Paris Peasant (1926): A surrealist novel that delves into the city's underground world
* Anicet ou le Panorama (1949-1953): A serialized novel that critiques modern society
During World War II, Aragon joined the French Resistance and wrote for their clandestine publications. After the war, he became a prominent figure in post-war France, advocating for social justice and human rights.
Impact and Legacy
Aragon's impact on 20th-century literature is undeniable. His work not only reflected the tumultuous times but also influenced generations of writers to come. Aragon's contributions to Surrealism paved the way for future art movements, while his anti-war poetry continues to resonate with readers worldwide.
As a champion of social justice and human rights, Aragon left an enduring legacy that extends beyond his literary works. His activism during World War II showcases his commitment to fighting against oppression.
Why They Are Widely Quoted or Remembered
Aragon's quotes are often cited for their insight into the human condition and the complexities of love, identity, and social justice. His writing style, characterized by its lyricism and surrealist flair, continues to captivate readers worldwide.
As a prominent figure in 20th-century literature, Aragon's legacy serves as a reminder of the power of art to challenge societal norms and inspire positive change.
Quotes by Louis Aragon
Louis Aragon's insights on:
Climb down into your idea, inhabit your idea, well-digger hanging from your rope. At first it was only an outline, a halo, and by now it has not got very far, and everywhere I touch upon things which are not that idea of yours, I touch that idea through everything that refutes it, the world expires along its shores. My idea, my idea clings to countless bonds. A long story and I am moved to pity by its scarred form, I kiss the imperfections of its foot.
Yes, I have forgotten your eyes so much so that seeing them again leaves me indifferent on that point. Indifferent... oh no, words no more express love than they do the death of love.
Elle avait ce gout de l’absolu, rien n’etait jamais assez, rien n’etait quelque chose. Quiconque a ce gout de l’absolu, renonce par la meme au bonheur.
How a life exiles itself! The years slip by and leave man, after so many peregrinations and meta-morphoses, absolutely akin himself, for the sake of a little moral simile, to a circumstance which results in his remembering.
No further use now for this language, this learning, this whole education through which I was taught to exert myself at the heart of the world. Mirage or mirror, a great enchantment glows in this darkness and leans against the door-jam of ravages in the classic pose assumed by death immediately after shedding her shroud. O my image of bone, here I am: let everything finally decompose in the palace of illusions and silence.
What on earth is modern exegesis up to? Oh, little lazy one! Some red wine and up! Off you go, brandishing your fork, stripped of Ophelia’s useless ornaments, fire in your large nostrils, out to rake the muck of metaphors.
Error is certainty’s constant companion. Error is the corollary of evidence. And anything said about truth may equally well be said about error: the delusion will be no greater.