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L.P. Hartley

48quotes

L.P. Hartley: A Legacy of Literary Excellence


Full Name and Common Aliases

John Leyton Hartley was born on 1895 in Holmbridge, West Yorkshire, England. He is commonly known by his initials, L.P. Hartley.

Birth and Death Dates

Hartley's life spanned from 1895 to 1972.

Nationality and Profession(s)

Hartley was a British novelist, playwright, and poet. His literary career spanned over five decades, during which he wrote in various genres, including novels, short stories, plays, and poetry.

Early Life and Background

Growing up in a family of modest means, Hartley's early life was marked by a love for literature and the arts. He was educated at King Edward VII Grammar School in Huddersfield before attending Trinity College, Cambridge, where he developed his passion for writing. Hartley's experiences during World War I had a profound impact on his writing, particularly in his depiction of the human condition under duress.

Major Accomplishments

Hartley's literary career was marked by numerous accolades and achievements. He is perhaps best known for his novel The Go-Between, which has become a classic of 20th-century English literature. This poignant tale of love, betrayal, and social class explores the complexities of human relationships through the eyes of a naive young boy.

Notable Works or Actions

Hartley's body of work includes:

_Eustace and Hilda_ (1944), a novel that explores themes of love, art, and the human condition
_Facial Justice_ (1960), a satirical novel that critiques British society during World War II
* _The Sixth Sense_ (1968), a short story collection that showcases Hartley's mastery of the genre

In addition to his literary contributions, Hartley was also an accomplished playwright. His works were frequently performed on stage and radio.

Impact and Legacy

L.P. Hartley's impact on literature is immeasurable. His novels have been translated into numerous languages, and his work continues to be studied in academic circles worldwide. Hartley's exploration of the human condition has made him a beloved and respected figure among readers and scholars alike.

Why They Are Widely Quoted or Remembered

Hartley's quotes are frequently cited for their insight and poignancy. His writing often probed complex themes, making it both accessible and thought-provoking. He is remembered not only for his literary contributions but also for his ability to capture the essence of human experience in all its complexity.

As a writer, Hartley's legacy continues to inspire new generations of authors and readers alike. His work remains a testament to the enduring power of literature to explore, critique, and celebrate the human condition.

Quotes by L.P. Hartley

I should not have cared to see it as an act of self-sacrifice even if it had been one; for there is nothing clever in self-sacrifice, nothing to pride oneself on.
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I should not have cared to see it as an act of self-sacrifice even if it had been one; for there is nothing clever in self-sacrifice, nothing to pride oneself on.
Readers tend to devour short stories on a newssheet, but would be disinclined to read them in collections.
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Readers tend to devour short stories on a newssheet, but would be disinclined to read them in collections.
I had never met a lord before, nor had I ever expected to meet one. It didn’t matter what he looked like: he was a lord first, and a human being, with a face and limbs and body, long, long after.
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I had never met a lord before, nor had I ever expected to meet one. It didn’t matter what he looked like: he was a lord first, and a human being, with a face and limbs and body, long, long after.
To my mind’s eye, my buried memories of Brandham Hall are like effects of chiaroscuro, patches of light and dark: it is only with effort that I see them in terms of colour. There are things I know, though I don’t know how I know them, and things that I remember. Certain things are established in my mind as facts, but no picture attaches to them; on the other hand there are pictures unverified by any fact which recur obsessively, like the landscape of a dream.
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To my mind’s eye, my buried memories of Brandham Hall are like effects of chiaroscuro, patches of light and dark: it is only with effort that I see them in terms of colour. There are things I know, though I don’t know how I know them, and things that I remember. Certain things are established in my mind as facts, but no picture attaches to them; on the other hand there are pictures unverified by any fact which recur obsessively, like the landscape of a dream.
The conversation of the gods! – I didn’t resent or feel aggrieved because I couldn’t understand it. I was the smallest of the planets, and if I carried messages between them and I couldn’t always understand, that was in order too: they were something in a foreign language – star-talk.
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The conversation of the gods! – I didn’t resent or feel aggrieved because I couldn’t understand it. I was the smallest of the planets, and if I carried messages between them and I couldn’t always understand, that was in order too: they were something in a foreign language – star-talk.
Not Adam and Eve, after eating the apple, could have been more upset than I was.
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Not Adam and Eve, after eating the apple, could have been more upset than I was.
My dream had become my reality: my old life was a discarded husk.
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My dream had become my reality: my old life was a discarded husk.
Grown-ups didn’t seem to realize that for me, as for most other schoolboys, it was easier to keep silent than to speak. I was a natural oyster.
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Grown-ups didn’t seem to realize that for me, as for most other schoolboys, it was easier to keep silent than to speak. I was a natural oyster.
To see things as they really were – what an empoverishment!
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To see things as they really were – what an empoverishment!
It’s better to write about things you feel than about things you know about.
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It’s better to write about things you feel than about things you know about.
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