Lucinda Williams
The late twentieth century saw American roots music expand well beyond its traditional boundaries, as artists began weaving together folk, blues, alternative country, and pop rock into something harder to label and harder to ignore. Lucinda Williams, born on January 26, 1953, in Lake Charles, Louisiana, came up in that environment as a singer-songwriter, composer, musician, record producer, and music arranger working in English.
Williams released her first two albums, Ramblin' on My Mind and Happy Woman Blues, in 1979 and 1980 respectively, establishing early on that she intended to work across genre lines. Her 1988 self-titled album included the song "Passionate Kisses," which Mary Chapin Carpenter later recorded for her 1992 album Come On Come On. That recording brought Williams her first Grammy Award for Best Country Song in 1994. Her catalog continued to grow through albums including Sweet Old World, Essence, World Without Tears, West, Little Honey, Blessed, Down Where the Spirit Meets the Bone, The Ghosts of Highway 20, and the live set Live @ The Fillmore. Beyond performing and recording, she has also worked as a record producer and entrepreneur.
Critical attention tracked her output closely. Sweet Old World was voted the eleventh best album of 1992 in The Village Voice's Pazz & Jop poll, and Robert Christgau placed it sixth on his own year-end list. Williams has received Grammy Awards and the Americana Lifetime Achievement Award for Songwriting.
Quotes by Lucinda Williams
Lucinda Williams's insights on:

I usually have an idea of how I want a song to sound, but I don't always know how to get there.

I've had trouble being in relationships and writing. This has been a real problem for me. I don't know if it's because I'm not free to fantasize or create these fantasy things about other people.

I was immediately taken with Geoff Muldaur’s rich soulful voice, masterful phrasing and guitar playing when I first heard him.

I usually don’t write about my life right when it happens. I process it, and I store it away. Then, when I get in the mood I pull the stuff back out.

I’ve had trouble being in relationships and writing. This has been a real problem for me. I don’t know if it’s because I’m not free to fantasize or create these fantasy things about other people.

I feel like it’s really kind of a sit-down album, much in the same way I imagine Billie Holiday or someone sitting down in the studio and singing.



