People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat.

When you have something that close to you, you want to make sure that you’re aware of it.

People use location as a language in films, and Quentin uses action as a language in his films. There’s really not a lot of violence. It’s more of an emotional beat than it is a physical beat.

It’s great to do commercial movies; they are fun. You’re doing stunts, you are running around, there is a lot of money involved in the production; there are incredible sets and designs.

I’ve definitely become much more aware of physical stunts.

Nobody really tells me what’s going on, and I find out via the trades myself.

I generally won’t do a role unless I feel like it’s in my system somewhere, even if it’s just a molecule of it. Like I just felt like I knew it and if I talked about it or discussed it or tried to rehearse it that it would take away the energy from that scene so I went in there and just did it.

I’ve never really thought about competing with cartoons. If it ever gets to that point, then just shoot me.

You respect all of these people that you know in the business as actors. And they sort of turn around and say, we really like your work. It’s a nice acknowledgment.

The lack of predictability with television is something that’s constantly changing what your perception of who you think your character is.