MR

Man Ray

55quotes

Full Name and Common Aliases


Man Ray, born Emmanuel Radnitzky, was an American artist known by his alias Man Ray.

Birth and Death Dates


October 27, 1890 – November 25, 1976

Nationality and Profession(s)


American, Surrealist Photographer, Painter, Sculptor, Director

Early Life and Background


Man Ray was born in Philadelphia to a Jewish family. His early life was marked by frequent relocations due to his father's work as an engineer. The family eventually settled in Brooklyn, where Man Ray developed an interest in art at a young age.

Growing up in New York City, Man Ray was exposed to various artistic movements, including Impressionism and Cubism. He began taking classes at the Ferrer School, a utopian community that emphasized self-education and artistic expression. This early exposure laid the foundation for his future work as a photographer, painter, and sculptor.

Major Accomplishments


Man Ray's innovative contributions to art span multiple mediums. As a photographer, he pioneered the use of solarization, a technique that inverts the tones of an image. His most famous photograph is "Le Violon d'Ingres" (1924), which showcases his mastery of this technique.

Notable Works or Actions


Man Ray's work extended beyond photography to include painting and sculpture. He was a key figure in the Surrealist movement, collaborating with artists such as Marcel Duchamp and Salvador Dalí. His films, including "The Seashell and the Clergyman" (1928), showcased his experimentation with cinematic techniques.

Man Ray's artistic expression often explored themes of femininity, masculinity, and the relationship between art and technology.

Impact and Legacy


Man Ray's influence on modern art is undeniable. His pioneering work in photography expanded the medium's creative possibilities, while his involvement in Surrealism pushed the boundaries of what was considered acceptable in art.

As a director, Man Ray contributed to the development of avant-garde cinema. His experimentation with film techniques paved the way for future generations of filmmakers.

Man Ray's legacy extends beyond his artistic contributions. He embodied the spirit of innovation and creativity that characterized the early 20th-century art world.

Why They Are Widely Quoted or Remembered


Man Ray is widely remembered for his groundbreaking work in multiple mediums. His innovative techniques, commitment to experimentation, and pioneering spirit have made him an icon in the art world.

As a figurehead of Surrealism, Man Ray's influence can be seen in many aspects of modern art, from photography to film. His legacy serves as a reminder of the importance of pushing boundaries and challenging conventional norms in creative expression.

Quotes by Man Ray

Man Ray's insights on:

Unconcerned but not indifferent.
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Unconcerned but not indifferent.
I am not going to be dictated to by the size of the camera. I use everything from an 8 x 10 to a 35-mm. But I don’t use these modern cameras which break down all the time !
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I am not going to be dictated to by the size of the camera. I use everything from an 8 x 10 to a 35-mm. But I don’t use these modern cameras which break down all the time !
If I’d had the nerve, I’d have become a thief or a gangster, but since I didn’t, I became a photographer.
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If I’d had the nerve, I’d have become a thief or a gangster, but since I didn’t, I became a photographer.
I would photograph an idea rather than an object, a dream rather than an idea.
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I would photograph an idea rather than an object, a dream rather than an idea.
A camera alone does not make a picture. To make a picture you need a camera, a photographer and above all a subject. It is the subject that determines the interest of the photograph.
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A camera alone does not make a picture. To make a picture you need a camera, a photographer and above all a subject. It is the subject that determines the interest of the photograph.
When I saw I was under attack from all sides, I knew I was on the right track.
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When I saw I was under attack from all sides, I knew I was on the right track.
My works were designed to amuse, annoy, bewilder, mystify and inspire reflection.
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My works were designed to amuse, annoy, bewilder, mystify and inspire reflection.
To create is divine, to reproduce is human.
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To create is divine, to reproduce is human.
Each one of us, in his timidity, has a limit beyond which he is outraged. It is inevitable that he who by concentrated application has extended this limit for himself, should arouse the resentment of those who have accepted conventions which, since accepted by all, require no initiative of application. And this resentment generally takes the form of meaningless laughter or of criticism, if not persecution.
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Each one of us, in his timidity, has a limit beyond which he is outraged. It is inevitable that he who by concentrated application has extended this limit for himself, should arouse the resentment of those who have accepted conventions which, since accepted by all, require no initiative of application. And this resentment generally takes the form of meaningless laughter or of criticism, if not persecution.
Dada cannot live in New York. All New York is dada, and will not tolerate a rival.
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Dada cannot live in New York. All New York is dada, and will not tolerate a rival.
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