Marcel Jouhandeau


Full Name and Common Aliases


Marcel Jouhandeau was a French writer and novelist, commonly referred to by his pen name.

Birth and Death Dates


Born on March 5, 1888, in Saint-Maixent-sur-Layon, France, Marcel Jouhandeau passed away on January 9, 1971.

Nationality and Profession(s)


A French national, Jouhandeau was a novelist, playwright, and essayist. His writing career spanned over five decades, during which he published numerous novels, plays, and essays.

Early Life and Background


Growing up in the rural region of Poitou, Jouhandeau's early life was marked by hardship and poverty. His family struggled to make ends meet, with his father working as a farmer. Despite these challenges, Jouhandeau's love for reading and writing began at an early age. He spent much of his childhood devouring books from the local library, often borrowing more than he could return.

Major Accomplishments


Jouhandeau's literary career was marked by several significant accomplishments. His first novel, _La Maison que j'ai vendue_, published in 1920, gained him recognition as a talented young writer. However, it was his later works that solidified his reputation as a masterful storyteller and social commentator. Notable among these are _L'Idée-force_ (1933) and _Le Paradis perdu_ (1947). These novels showcased Jouhandeau's ability to craft complex, thought-provoking narratives that explored the human condition.

Notable Works or Actions


Jouhandeau was a prolific writer, publishing numerous works throughout his career. His writing often dealt with themes of love, family, and social class. He also wrote plays, essays, and literary criticism, demonstrating his versatility as a writer. Jouhandeau's work was not without controversy; he was known for pushing boundaries in his writing, tackling topics that were considered taboo at the time.

Impact and Legacy


Marcel Jouhandeau's impact on French literature cannot be overstated. His contributions to the world of letters helped shape the literary landscape of 20th-century France. Jouhandeau's unique voice, which blended elements of realism with a sense of social commentary, influenced generations of writers. Today, his works continue to be celebrated for their insight into human nature and their ability to spark important conversations about society.

Why They Are Widely Quoted or Remembered


Marcel Jouhandeau is widely quoted and remembered for his incisive observations on the human condition. His writing often posed questions about morality, class, and personal relationships, making him a compelling figure in French literary history. As a masterful storyteller, Jouhandeau's ability to craft narratives that were both entertaining and thought-provoking has left an indelible mark on the world of literature.

Throughout his career, Jouhandeau demonstrated a commitment to exploring complex themes through his writing. His works continue to captivate readers with their rich characters, nuanced dialogue, and unflinching gaze into the human heart. As such, Marcel Jouhandeau remains an essential figure in French literary history, celebrated for his enduring contributions to the world of letters.

Quotes by Marcel Jouhandeau

Tout bon livre est un attentat. [in Essai sur moi-même]
"
Tout bon livre est un attentat. [in Essai sur moi-même]
Rien ne rend plus léger parfois qu'une certaine horreur de soi.
"
Rien ne rend plus léger parfois qu'une certaine horreur de soi.
Pour supporter sa propre histoire, chacun y ajoute un peu de légende. [in L'Imposteur]
"
Pour supporter sa propre histoire, chacun y ajoute un peu de légende. [in L'Imposteur]
Ce n'est ni l'amitié ni la bonté qui nous manquent, mais nous qui manquons à l'amitié et à la bonté.
"
Ce n'est ni l'amitié ni la bonté qui nous manquent, mais nous qui manquons à l'amitié et à la bonté.
... par la constance de la générosité, on supprime la morale. [in Éloge de l'imprudence]
"
... par la constance de la générosité, on supprime la morale. [in Éloge de l'imprudence]
La moralité n'est bien souvent qu'une affaire d'éclairage et tu es le gardien de ton propre phare. [in Éléments pour une éthique]
"
La moralité n'est bien souvent qu'une affaire d'éclairage et tu es le gardien de ton propre phare. [in Éléments pour une éthique]
Il n'y a pas de courage triste. [in Journal sous l'occupation]
"
Il n'y a pas de courage triste. [in Journal sous l'occupation]
Dans les petites villes, les gens sont toujours prêts à partager vos ennuis. Si vous n'en avez pas, ils se font une joie de vous en créer.
"
Dans les petites villes, les gens sont toujours prêts à partager vos ennuis. Si vous n'en avez pas, ils se font une joie de vous en créer.
L'art est justifié dans la mesure où il ajoute à la vie juste ce qui lui manque pour être plus vraie qu'elle-même.
"
L'art est justifié dans la mesure où il ajoute à la vie juste ce qui lui manque pour être plus vraie qu'elle-même.
La vie à la fin n'est qu'une habitude qu'il faut perdre après toutes les autres.
"
La vie à la fin n'est qu'une habitude qu'il faut perdre après toutes les autres.
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