Mary Gordon
Mary Catherine Gordon was born on December 8, 1949, in Far Rockaway, on Long Island, growing up in the Queens and Valley Stream areas of New York. That distinctly American, Catholic-inflected corner of the mid-twentieth century shaped the world she would spend decades writing about. A citizen of the United States, she has worked throughout her career in English, producing fiction, criticism, and journalism that draw on the textures of that upbringing.
Gordon studied at Barnard College and later at Syracuse University, building the literary and critical foundations that would carry her across several genres. She works as a novelist, prose writer, literary critic, and journalist — a range that reflects a consistent engagement with the written word rather than a narrow specialization. Her novel The Company of Women stands as one of her notable works, demonstrating the kind of character-driven storytelling that runs through her fiction.
The recognition her work has received over the years is concrete and varied. She received the Janet Heidinger Kafka Prize, a Guggenheim Fellowship, and an O. Henry Award — honors spanning fiction and the broader literary arts. In 2008, she was named Official State Author of New York, a formal acknowledgment of her place within the state's literary life. That designation connected her public role as a writer back to the New York landscape where her career took root.
Gordon holds the McIntosh Professor of English chair at Barnard College, the same institution where she received part of her own education. Her work as a university teacher sits alongside her ongoing output as a writer, and both roles keep her anchored in New York. She continues to write in English across fiction, criticism, and journalism, and her professorship at Barnard remains a central part of her professional life today.
Quotes by Mary Gordon

The change that Mr. Barnard wants to make in the school board policy is utterly ridiculous.

High school students discuss this among themselves and this was a good way to educate them.

If the moral good of fiction stems mainly from a habit of mind it inculcates in the reader, styles are neither good nor bad, and to describe some fictional enterprises as false is pointless.

In my early life, I was a professional folk singer. I used to sing on the national television and radio in Canada. Nobody knows that - but now I've said it, haven't I? I'm strictly a shower singer at the minute.

Once the children were in the house the air became more vivid and more heated; every object in the house grew more alive

It was actually a women's writing group I belonged to in graduate school that gave me the courage to move from poetry to fiction.

It's like walking into a cathedral.. It reminds me that what I do in the world is a valuable and important thing.

Feminism is very much a part of a lot of my student's lives, but they're not going to march about it or take a public political stance. And I think more and more young women are claiming that they're not feminists - even though they are.

