The majority of my background is multi-camera format, which is very broad and a very arch perception of reality. Whereas single camera tends to be more truthful and a little more intimate of a medium.

You can’t be funny if you don’t have good material.

Comedy is just to me, maybe it’s a natural knack, if I can see where the joke is in the writing and I can see where the setup is and I can tell this is the way to make it.

This whole acting thing was always just for me and was always an absolute shot in the dark. If it didn’t pan out, I had my hammer and tool belt, banging nails again tomorrow if I had to.

Everyone in my family used to work with some kind of tool in their hands every day. That’s what we do. That’s what I did before I got into acting.

When there’s writing that you really trust, it’s very freeing as an artist.

Everyone is just as committed and focused as they were the first season.

I have funny bones. If there’s ever any kind of tension, I’ll always be the one to try and be funny to loosen things up.

I really like the half-hour comedy. I really do. I know people that are in movies all the time and they, you know, they don’t see their families as much. And that takes its toll over time.

I don’t like producing. It’s a lot of meetings you sit through that amount to nothing.