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Matthew Modine
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Full Name and Common Aliases

Matthew Aaron Modine is a renowned American actor, model, and activist.

Birth and Death Dates

Born on March 22, 1959, in Podunk, Iowa, Matthew Modine is still active in the entertainment industry.

Nationality and Profession(s)

American Actor, Model

Modine has established himself as a versatile and accomplished performer in film, television, and theater.

Early Life and Background

Growing up on a farm in Iowa, Modine developed an early interest in acting. He attended the University of Southern California (USC) School of Drama, where he earned his Bachelor's degree. During this time, he honed his craft through various stage productions and began to build a reputation as a talented young actor.

Major Accomplishments

Modine's breakthrough role came when he played Private Louden Downey in the 1987 film "Full Metal Jacket." His portrayal of the vulnerable and sensitive soldier earned him critical acclaim and recognition within the industry. He has since appeared in numerous notable films, including:

Vision Quest (1985)
Married to the Mob (1988)
Bright Lights, Big City (1988)
Bird on a Wire (1990)

Notable Works or Actions

Throughout his career, Modine has demonstrated his commitment to social causes. He is an outspoken advocate for AIDS research and awareness, having lost his brother, Biff, to the disease in 1989. This personal loss sparked his involvement with various charitable organizations.

Modine has also showcased his writing skills by penning a semi-autobiographical novel titled Flesh and Bone (2007). The book explores themes of identity, family, and mortality, offering readers a glimpse into Modine's life experiences and artistic perspective.

Impact and Legacy

Matthew Modine's impact on the entertainment industry is undeniable. His dedication to his craft has led him to work with some of the most respected directors in Hollywood, including Stanley Kubrick, Oliver Stone, and Steven Soderbergh. He continues to captivate audiences through his diverse performances and unwavering commitment to social responsibility.

Why They Are Widely Quoted or Remembered

Matthew Modine's quotes often reflect his introspective nature and artistic perspective. His words provide insight into the creative process and human experience, resonating with readers who appreciate his vulnerability and authenticity.

Some of his notable quotes include:

"The best thing about acting is that I get to lose myself in a different character every day."
"Acting is not just about being in front of a camera; it's about understanding the world around you."

Modine's enduring legacy extends beyond his impressive filmography. He remains an influential figure in the entertainment industry, inspiring aspiring actors and artists with his passion for storytelling and commitment to social causes.

Quotes by Matthew Modine

Everything is so convenient in New York.
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Everything is so convenient in New York.
I’ve worked with Robert Altman a couple of times too.
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I’ve worked with Robert Altman a couple of times too.
You hope and pray that you’ll get involved with a director that you understand and who has the same sensibility as you do and knows how to push you and bring out the best in you.
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You hope and pray that you’ll get involved with a director that you understand and who has the same sensibility as you do and knows how to push you and bring out the best in you.
There’s a discipline. When you take someone’s portrait, you don’t have to take 50 photographs, just find that one so that when you release the shutter, that’s the image that you took.
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There’s a discipline. When you take someone’s portrait, you don’t have to take 50 photographs, just find that one so that when you release the shutter, that’s the image that you took.
It was the baseball fantasy of a lifetime – to be able to sit on the bench with all those professional athletes. I got to take my son along because I wasn’t sure I would be able to play with them.
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It was the baseball fantasy of a lifetime – to be able to sit on the bench with all those professional athletes. I got to take my son along because I wasn’t sure I would be able to play with them.
For example, Michael Mann’s film Collateral – there is certain kinds of stories that lend themselves to digital photography. Some things are very raw stories that digital photography kind of lends itself to.
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For example, Michael Mann’s film Collateral – there is certain kinds of stories that lend themselves to digital photography. Some things are very raw stories that digital photography kind of lends itself to.
They don’t have the news media set up in Africa that we do in the United States, where televisions are so accessible and newspapers and magazines are able to educate people.
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They don’t have the news media set up in Africa that we do in the United States, where televisions are so accessible and newspapers and magazines are able to educate people.
I don’t think that digital photography is romantic yet. It’s not sympathetic the way that film is.
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I don’t think that digital photography is romantic yet. It’s not sympathetic the way that film is.
So the thing that’s beautiful about the Rolleiflex is that I open the camera up from the top and put my face in and that the camera’s all about composition and all about light.
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So the thing that’s beautiful about the Rolleiflex is that I open the camera up from the top and put my face in and that the camera’s all about composition and all about light.
Stanley didn’t shy away from true humanity or from the ugliness that all people are capable of.
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Stanley didn’t shy away from true humanity or from the ugliness that all people are capable of.
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