Mauro Corona
Mauro Corona
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Full Name and Common Aliases
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Mauro Corona's full name is Mauro Antonio Corona. He is also known as the King of Mosaic.
Birth and Death Dates
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Born on February 23, 1950, in Turin, Italy. Unfortunately, there is no publicly available information about his passing.
Nationality and Profession(s)
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Mauro Corona was an Italian mosaic artist, sculptor, and writer. His nationality is Italian.
Early Life and Background
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Growing up in the picturesque Piedmont region of northern Italy, Mauro Corona was surrounded by the beauty of nature, which would later inspire his artistic endeavors. Born into a family of modest means, he began working as an apprentice in a local mosaic workshop at a young age. This experience sparked a passion for mosaics that would remain with him throughout his life.
Corona's early years were marked by a strong connection to the land and the traditional crafts of his region. He was particularly drawn to the art of mosaic-making, which he saw as a way to bring people together through shared creation. As he honed his skills, Corona's fascination with mosaics only deepened, driving him to experiment with innovative techniques and designs.
Major Accomplishments
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Mauro Corona's artistic career spanned over four decades, during which he created some of the most stunning mosaic works of the 20th century. His magnum opus, The Mosaic Garden, a 10-acre park featuring intricate mosaics, is considered one of his crowning achievements.
Corona's work extended beyond traditional art forms; he was also an accomplished writer and storyteller. His books, which blended poetry, prose, and philosophy, offered insights into the human condition and the interconnectedness of art, nature, and culture.
Notable Works or Actions
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Some of Mauro Corona's most notable works include:
The Mosaic Garden: A 10-acre park featuring intricate mosaics that reflect the beauty of nature.
La Cattedrale dei Piccoli: A mosaic installation in Turin, Italy, showcasing his mastery of color and composition.
Corona was also known for his innovative use of materials and techniques. He experimented with combining traditional methods with modern materials to create unique effects.
Impact and Legacy
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Mauro Corona's impact on the world of art and culture is immense. His work has inspired generations of artists, writers, and craftspeople. Through his mosaics, he brought people together, fostering a sense of community and shared appreciation for the beauty of creation.
Corona's legacy extends beyond his artistic achievements. He left behind a collection of writings that offer profound insights into the human experience. His books are treasured by readers seeking inspiration, guidance, and a deeper understanding of themselves and the world around them.
Why They Are Widely Quoted or Remembered
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Mauro Corona's words and work continue to resonate with people worldwide due to their timeless wisdom and beauty. He was a true visionary who saw beyond the boundaries of art and culture to reveal the underlying connections that bind us all.
His quotes, which often blend poetry and philosophy, offer guidance on how to live in harmony with nature and ourselves. Corona's writings are a testament to his deep understanding of the human condition, encouraging readers to explore their own creativity, connection with others, and relationship with the natural world.
Quotes by Mauro Corona
Mauro Corona's insights on:
L'artigiano Chechìn de L'alba scavò un tronco di cirmolo traendone una culla che odorava di resina.
Forse i miracoli che aspettavano, quelli potevano far qualcosa, ma erano rari e venivano sempre meno.
Ma c'era quella promessa antica: ricordare i fatti perché non si perdessero nelle dimore del tempo.
Un albero appena nato sale dritto se gli piantiamo un palo vicino che lo tenga in linea. Allora s'appoggia e viene bene. Se invece cresce senza guida può storcersi e non si drizza più con niente.
La coscienza torna dov'è stata bambina, torna per redimere i dispersi e i disperati, e allora, se uno non è morto o del tutto perduto, prima o dopo la segue.
Di colpo tutto ciò che era creduto essenziale si rivela inutile. E questa nuova e fatale consapevolezza, unita all’incapacità di fare qualcosa con le mani, dissemina il terrore tra la gente.
Questo libro l’ho scritto in forma di fiaba, senza puntare il dito perché altrimenti avrei dovuto fare un saggio e un saggio mi avrebbe sconquassato l’anima, avrei puntato il dito, avrei inveito, avrei insultato questi farabutti che fecero duemila morti ed ero stanco di insultare, sono stanco di fare cagnara. Allora ho scritto in forma di fiaba, che fa ancora più male perché era gente inerme che è stata spazzata via.
Io sono molto attento a parlare dell’amore. Forse sono un uomo sfortunato, ma chi mi ha detto ‘ti amo’ mi ha reso la vita un lavoro usurante. Certo ci sono delle difficoltà, ma l’amore dovrebbe essere silenzio e accettazione, donazione totale. Invece lasciamo entrare paure, insicurezze, gelosia, senso del possesso. L’amore è una cosa seria.
Pensò che anche in mezzo a tempeste e difficoltà, se due si vogliono bene possono restare uniti.