I've just kind of been used to carrying movies. I look back and I'm just used to being in every single scene in a lot of pictures.

'King of California' was just, I thought, a really great, fresh, original kind of script. I loved the tone, the mix of tragedy, comedy, and drama, and that it was a good part.

My mother is Bermudan, so I had a lot of memories when I was a kid, used to go down to Bermuda a lot.

'Five Easy Pieces,' 'Easy Rider' - those are indie pictures; those were not studio pictures. They had relationships with studio distribution, but they were indies.

'One Flew Over the Cuckoo's Nest,' which my father had tried to get made for six, seven years, and I for four, was turned down by every studio. Every studio in the world had passed on it.

Women are now very comfortable to have babies into their late 30s. You can be a father in your 50s. I'm not saying it's for everybody, and I think people have to get their own life secure before they take on the responsibility of a partner and children.

I think the quality of television, given the amount of time you have, how short you have, is proportionally so much better than most movies.

I don't ever do those kind of epic, huge, green-screen movies.

I've been dying to do a Marvel picture for so long.

All the pictures I do are contemporary. I've sort of discovered I haven't really been into science fiction or period pictures. And so, in that vein, psychological thrillers play a big part.