What was the human animal in the midst of the siege? An herbivore that crawled on all fours, browsing on dirty grasses. A predator that hunted alone or in packs. A social animal that spoke of noble art and wound violin strings from the guts of dead sheep and pigs. A creature with canine teeth for tearing, but with a tongue for speaking. A mouth that could devour or sing.

We live by devouring those we love. How can we help it? They’re the ones within closest reach.

Even the basic facts of Dmitri Shostakovich’s life are often contested, as a glance through the end notes of this book attests. How do we reconstruct the story of someone who lived in a period in which everyone had an excuse to lie, evade, accuse, or keep silent?

Most symphonies, however, are wordless. They are built only of tones, nonlinguistic sounds vibrating in the air, and somehow, we take them to heart and feel that they speak to us more deeply than words ever could. Cultures make up certain rules for music that we learn without even recognizing them; for example, in the West, we have decided that music in minor keys tends to sound sad or anxious, while music in major keys conveys confidence, triumph. Other cultures have made other decisions.

Someday I’ll give it to her. When everything is better. The natural history of her life, sketched out, because nothing means as much until it has vanished.

Lily knew what he meant. She loved places that people had forgotten, like the old gas station rotting on the edge of the forest in Pelt, all gray wood and brown metal. She liked to walk there sometimes and imagine that during tempests the king of the forest, dry leaves swirling around his motorcycle, would skid to a halt and demand unleaded gas from shadowy attendants while a mossy-faced knight sat in his sidecar.

To participate, then, in the pomp of the orchestra, in the full scintillation thereof, was in the highest degree thrilling. Is this not the image of the perfect republic – each instrument singing its wonted melody, endeavoring at once to express its part, and, in the same instance to conform its voice to the conversation of the whole?

If you have read many adventure novels, you’ll know that spies spend about half of their time in the sewers. They run along sewer tunnels, shooting. They find secret hideaways in sewers. They take weird funeral barges through sewers, poled along by old men in hoods. In fact, if a spy’s kid wants to get a message to their mom or dad, the easiest way to do it is just to flush it down the toilet.

It is ever the lot of children to accept their circumstances as universal, and their particularities as general.

History is not simply the great tumults and tragedies but the accumulation of tiny moments and gestures.