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Norman Mailer

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Norman Mailer was born on 31 January 1923 in Long Branch, New Jersey, and grew up as an American citizen writing in English at a time when the country's literary culture was expanding in reach and ambition. He attended Boys High School before going on to Harvard University and later the University of Paris, a transatlantic education that shaped a career spanning an unusually wide range of forms and disciplines.

That range is hard to overstate without resorting to exaggeration, so the plain facts do the work well enough: Mailer worked as a novelist, journalist, essayist, poet, playwright, screenwriter, biographer, film director, film producer, film editor, and actor — both on stage and on screen. Few American writers of the twentieth century spread themselves across so many crafts. His journalism and nonfiction writing earned him the Pulitzer Prize for General Nonfiction, while his fiction brought him the Pulitzer Prize for Fiction as well as the National Book Award. He also received France's Legion of Honour, a recognition that pointed back to the European strand of his education and his longstanding connection to literary culture on both sides of the Atlantic.

Not every venture drew equal praise. His filmmaking work earned him a Golden Raspberry Award for Worst Director, a reminder that a career built on restless experimentation will occasionally land in territory that critics and audiences find less convincing. Mailer seemed undeterred by such receptions. He continued to move between forms and projects, treating writing, filmmaking, and public life as overlapping rather than competing pursuits. The sheer breadth of his output — novels, essays, biography, screenplays, stage appearances — meant that his name appeared in contexts ranging from literary prize announcements to film credits to theatre programmes.

By the time of his death, Mailer had spent the better part of eight decades working out of New York City, the place that became most closely associated with his adult life and career. He died there on 10 November 2007, at the age of eighty-four. The Pulitzer Prizes, the National Book Award, and the Legion of Honour he received across his career stand as the formally documented markers of a working life conducted almost entirely in the English language and rooted, for all its wandering, in American literary soil.

Quotes by Norman Mailer

Norman Mailer's insights on:

Animal Farm the function of socialism is to raise suffering to a higher level.
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Animal Farm the function of socialism is to raise suffering to a higher level.
Writing for a newspaper is like running a revolutionary war. You go to battle not when you are ready, but when action offers itself.
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Writing for a newspaper is like running a revolutionary war. You go to battle not when you are ready, but when action offers itself.
One's condition on marijuana is always existential. One can feel the importance of each moment and how it is changing.
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One's condition on marijuana is always existential. One can feel the importance of each moment and how it is changing.
Even an evil man can have principles he can be true to his own evil, which is not always so easy.
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Even an evil man can have principles he can be true to his own evil, which is not always so easy.
By the time his political career began, he was in command of an artwork of lies elaborate enough to support his smallest need. He could shave the truth by a hair or subvert it altogether.
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By the time his political career began, he was in command of an artwork of lies elaborate enough to support his smallest need. He could shave the truth by a hair or subvert it altogether.
Just as a fighter has to feel that he possesses the right to do physical damage to another man, so a writer has to be ready to take chances with his readers’ lives.
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Just as a fighter has to feel that he possesses the right to do physical damage to another man, so a writer has to be ready to take chances with his readers’ lives.
Then comes the left jab again. A converted southpaw? It has something of the shift of locus which comes from making love to a brunette when she is wearing a blond wig.
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Then comes the left jab again. A converted southpaw? It has something of the shift of locus which comes from making love to a brunette when she is wearing a blond wig.
I always start a book for money. If you’re married five times you have to.
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I always start a book for money. If you’re married five times you have to.
The world’s not what I want it to be. But then no one ever said I had the right to design the world.
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The world’s not what I want it to be. But then no one ever said I had the right to design the world.
The compulsive talker must go through the herculean transformation of learning to quit or must become a great monologuist.
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The compulsive talker must go through the herculean transformation of learning to quit or must become a great monologuist.
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