Paul Klee
Paul Klee: A Life of Artistic Expression
#### Full Name and Common Aliases
Paul Klee was born on December 18, 1879, in Münsterlingen, Switzerland, to a German family. He is often referred to as Paul Klee or simply Klee, but his full name remains Paul Ferdinand Moritz Klee.
#### Birth and Death Dates
December 18, 1879 – June 29, 1940
#### Nationality and Profession(s)
Swiss-German painter and printmaker. Klee's nationality is often debated due to the complexities of Swiss citizenship laws at the time. However, he is widely regarded as a Swiss artist.
Early Life and Background
Klee was born into a family of modest means in Münsterlingen, Switzerland. His early life was marked by a strong interest in art and music. He attended the Zurich Art School, where he studied drawing and painting under Ferdinand Hodler. During his time at the school, Klee's artistic style began to take shape, influenced by various movements including Impressionism and Expressionism.
In 1906, Klee traveled to Italy, a journey that would significantly impact his artistic development. The experience allowed him to immerse himself in the Italian Renaissance and encounter the works of artists such as Michelangelo and Raphael. This exposure had a profound effect on Klee's style, leading to the creation of vibrant, expressive paintings.
Major Accomplishments
Klee is renowned for his eclectic and innovative approach to art. His work spanned multiple mediums, including painting, printmaking, and watercolor. Some of his most notable accomplishments include:
The Goldfish (1925): A watercolor piece featuring a goldfish in a bold, abstract composition.
Twittering Machine (1922): An oil painting that exemplifies Klee's fascination with music and technology.
Senecio (1922): A series of paintings inspired by the Senecio plant.
Klee's artistic contributions were not limited to his individual works. He was also an influential educator, teaching at the Bauhaus school in Germany from 1921 to 1931. During this period, Klee mentored students such as Wassily Kandinsky and Josef Albers, shaping their artistic styles and leaving a lasting impact on modern art.
Notable Works or Actions
Some of Klee's most notable works include:
The Red Balloon (1922): A watercolor painting featuring a red balloon in a dreamlike landscape.
Seated Woman with Bent Head (1937): An oil painting characterized by its bold, expressive colors.
Klee was also an accomplished printmaker. His prints often featured intricate designs and patterns, reflecting his interest in music and poetry.
Impact and Legacy
Paul Klee's artistic legacy extends far beyond his individual works. He played a significant role in shaping the development of modern art, influencing movements such as Abstract Expressionism and Surrealism. Klee's unique style, which blended elements of various art movements, continues to inspire artists today.
Klee's impact on education is also noteworthy. His teachings at the Bauhaus school helped shape the artistic styles of numerous students, contributing to the growth of modern art in Germany.
Why They Are Widely Quoted or Remembered
Paul Klee is widely quoted and remembered for his insightful writings on art and creativity. He was a prolific writer, publishing several books on artistic theory and practice. Some of his most famous quotes include:
"A line will take us hours to find if we want it perfect."
* "The artist cannot teach good habits, but he can show the possibility of them."
These quotes reflect Klee's emphasis on creativity, experimentation, and self-expression. His writings continue to inspire artists today, serving as a reminder of the importance of exploring new ideas and pushing boundaries.
In conclusion, Paul Klee was a visionary artist whose contributions to modern art are immeasurable. His innovative style, influential teachings, and insightful writings have left an enduring legacy that continues to shape artistic expression today.
Quotes by Paul Klee
Paul Klee's insights on:

All is well with me. The rain doesn’t reach me, my room is well heated, what more can one ask for? There’s no shortage of work, either...

The artist does not ascribe to the natural form of appearance the same convincing significance as the realists who are his critics. He does not feel so intimately bound to that reality, because he cannot see in the formal products of nature the essence of the creative process. He is more concerned with formative powers than with formal products.

The beholder’s eye, which moves like an animal grazing, follows paths prepared for it in the picture.

Gradually compositions make an appearance again. Political – satirical – conceits expressed in one figure or a few.

The creation lives as genesis beneath the visible surface of the work. All intelligent people see this after the fact, but only the creative see it before the fact – in the future.

It is precisely the way which is productive – this is the essential thing; becoming is more important than being...

I cannot be grasped in the here and now, For my dwelling place is much among the dead, As the yet unborn, Slightly closer to the heart of creation than usual, But still not close enough.

For the understanding of a picture a chair is needed. Why a chair? To prevent the legs, as they tire, from interfering with the mind.

