Paul Laurence Dunbar
Paul Laurence Dunbar
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Full Name and Common Aliases
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Paul Laurence Dunbar was born on June 27, 1872, in Dayton, Ohio, to former slaves. His full name is often shortened to P.L. Dunbar or simply Paul Dunbar.
Birth and Death Dates
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Born: June 27, 1872, Dayton, Ohio
Died: April 10, 1906, Washington D.C., aged 33
Nationality and Profession(s)
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Paul Laurence Dunbar was an American poet, novelist, short story writer, and playwright. He is best known for his work in the African-American literary movement of the late 19th century.
Early Life and Background
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Dunbar's early life was marked by poverty and hardship. His mother, Matilda, was a former slave who had taught him to read and write before he entered school. Dunbar attended Dayton's Central High School, where he excelled in his studies and developed his writing skills. He began publishing his poetry while still a teenager, initially under the pseudonym "Iola" due to racial bias in the publishing industry.
Major Accomplishments
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Dunbar's major accomplishments include:
Publishing seven collections of poetry, including "Oak and Ivy" (1899) and "The Uncalled" (1903)
Writing four novels: "The Uncalled" (1903), "The Love of Landry" (1900), "The Fanatics" (1901), and "Paul Dunbar's Poems" (1913, posthumous publication)
Collaborating with his wife, Alice Moore Dunbar, on several projects
Becoming the first African-American poet to gain widespread recognition in the United States
Notable Works or Actions
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Some of Dunbar's most notable works include:
"Sympathy" (1899), a poem that explores themes of racial identity and alienation
"We Wear the Mask" (1896), a sonnet that critiques racism and societal expectations
* His short stories, which often dealt with themes of love, social justice, and personal struggle
Dunbar's contributions to African-American literature were groundbreaking. He helped pave the way for future generations of black writers, including Langston Hughes, Countee Cullen, and Zora Neale Hurston.
Impact and Legacy
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Paul Laurence Dunbar's impact on American literature is undeniable. He helped challenge racist stereotypes and expectations through his writing, paving the way for greater representation and understanding of African-American experiences. His work continues to be widely read and studied today, offering valuable insights into the complexities of racial identity, social justice, and personal struggle.
Why They Are Widely Quoted or Remembered
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Paul Laurence Dunbar is remembered as a pioneering figure in African-American literature. His innovative use of language and form, combined with his unflinching portrayal of the human experience, has made him a beloved and respected figure among readers and scholars alike. As a result, his quotes are widely used to inspire, educate, and challenge social norms.
Dunbar's legacy extends beyond his literary contributions. He remains an important symbol of African-American resilience and determination in the face of adversity. His life and work continue to inspire new generations of writers, artists, and activists working towards greater equality and understanding.
Quotes by Paul Laurence Dunbar

Pay it I will to the end -- / Until the grave, my friend, / Gives me a true release -- / Gives me the clasp of peace. / Slight was the thing I bought, / Small was the debt I thought, / Poor was the loan at best -- / God! but the interest!

When the corn's all cut and the bright stalks shine / Like the burnished spears of a field of gold; / When the field-mice rich on the nubbins dine, / And the frost comes white and the wind blows cold; / Then it's heigh-ho! fellows and hi-diddle-diddle, / For the time is ripe for the corn-stalk fiddle.

My neighbor thinks me a fool, / 'The same to yourself,' say I; / 'Why take your books and take your prayers, / Give me the open sky;' / My neighbor thinks me a fool, / 'The same to yourself,' say I.

Bright burn the fires in the castle hall. Brightly the fire-dogs stand; But cold is the body and cold the heart of my Lady of Castle Grand.

On my face the bronze an' freckles O' the suns o' youthful Junes— Thinkin' that no mortal minstrel Ever chanted sich a lay

And the pool, it is silvery bright, dear love, And as pure as the heart of a maid, As sparkling and dimpling, it darkles and shines In the depths of the heart of the glade.

Above the rocks of grief and tears! / 'Tis wealth enough of joy for me / In summer time to simply be.

When summer time has come, and all / The world is in the magic thrall / Of perfumed airs that lull each sense / To fits of drowsy indolence; / When skies are deepest blue above, / And flow'rs aflush,--then most I love

Oh it were sweet to think / That May should be ours again, / Hoping it not, I shrink, / Out of the sight of men.
