Philip Reeve
Philip Reeve: A Master Storyteller of Imagination and Wonder
Full Name and Common Aliases
Philip Reeve is a British author of young adult fantasy novels, best known for his Mortal Engines series.
Birth and Death Dates
Born on December 3, 1966, in Norwich, England, Philip Reeve is still active in the literary world today.
Nationality and Profession(s)
Philip Reeve is a British novelist, illustrator, and author of children's literature. He has written several bestselling novels for young adults and children.
Early Life and Background
Reeve grew up in Devon, where he developed a passion for drawing and storytelling from an early age. His love for fantasy worlds was inspired by the works of J.R.R. Tolkien and C.S. Lewis, among others. After studying graphic design at Central St Martins College in London, Reeve began his career as an illustrator and cartoonist.
Major Accomplishments
Reeve's breakthrough novel, Mortal Engines, published in 2001, marked the beginning of a critically acclaimed series that has captivated readers worldwide. The novels are set in a post-apocalyptic world where cities have become mobile and prey on smaller towns. This unique concept, combined with Reeve's vivid imagination and storytelling skills, has earned him numerous awards and accolades.
Notable Works or Actions
Some of Philip Reeve's notable works include:
Mortal Engines series: a four-book series that follows the adventures of Tom Natsworthy and Hester Shaw in a world where cities have become mobile.
Larklight: a sci-fi adventure novel set on a space station in the 22nd century.
* Cinyr: an epic fantasy novel that explores the world of ancient mythology.
Reeve's work has been translated into many languages and has sold millions of copies worldwide. He has also won several awards for his writing, including the Blue Peter Book Award and the Costa Children's Book Award.
Impact and Legacy
Philip Reeve's impact on children's literature is undeniable. His unique blend of fantasy, adventure, and social commentary has inspired a new generation of readers to explore the world of imagination and wonder. Reeve's work often explores complex themes such as power, class, and identity, making it relatable and thought-provoking for young readers.
Why They Are Widely Quoted or Remembered
Philip Reeve is widely quoted and remembered for his imaginative storytelling, memorable characters, and vivid world-building. His novels have been praised by critics and readers alike for their originality, depth, and emotional resonance. As a master storyteller, Reeve continues to captivate audiences with his unique vision and creative genius.
In conclusion, Philip Reeve is a British author of young adult fantasy novels who has made a significant impact on children's literature. His Mortal Engines series has become a classic in the genre, inspiring readers worldwide with its imaginative world-building and memorable characters. As a master storyteller, Reeve continues to captivate audiences with his unique vision and creative genius.
Quotes by Philip Reeve
Philip Reeve's insights on:

Moving cities are a fairly hoary old sci-fi trope - I seem to recall they were always cropping up on 'Doctor Who' when I was young, though I may be misremembering.

As a child I always steered clear of science fiction, but in the autumn of 1977, the bow-wave of publicity for the first 'Star Wars' movie had already reached me, so I was eager for anything science-fictional.

Everyone was losing things, leaving things behind, clinging to old memories as they rushed into the future. Everyone was a passenger on a runaway train. It was true that Zen would be going farther than most. But at least he didn’t.

She wanted to stop, but she was riding a wave of memory and it was carrying her backward to that night, that room, and the blood that had spattered her mother’s star charts like the map of a new constellation.

They’re only stories,” he would say, “What do stories matter?” But he wasn’t stupid. He knew as well as Myrddin that in the end stories are all that matter.

I don’t think we are cut out to be evil sorcerers, brothers,” said Fentongoose. “If we were truly evil, we would not feel such sorrow at the deaths of our friends. We would just go, ‘Ha! Ha! Ha!’ or something.

But the look on his face was so strange that I hadn’t the heart to take his story away from him. He believed it, see. He believed the old gods were on Arthur’s side just as he believed that winter would follow autumn and the sun would rise tomorrow. And I thought that maybe that believing would make him strong and brave and lucky when the fighting came, and maybe without it he’d be killed, or turn and run away, which was worse than being killed. So I kept quiet.

These are new worlds, Zen. We don’t have to be what we were any more. We can be anything that we want. We can be humans together. – Nova.

