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In 2003, Rachel Harrison was included in the Venice Biennale, marking one of several prominent international exhibitions that would come to define the public profile of her practice across the following decade.

Born in New York City in 1966, Harrison studied at Wesleyan University before establishing herself as an artist working across sculpture, photography, drawing, and painting. She lives and works in New York, the city where her career has been rooted since its outset. Her practice spans a range of media and materials, and she has received the Anonymous Was A Woman Award in recognition of her contributions as an artist.

Harrison's work has been presented at some of the most significant recurring exhibitions in contemporary art. She was included in the Whitney Biennial in both 2002 and 2008, and in the Venice Biennale in both 2003 and 2009. She has also been included in the Tate Triennial, extending the reach of her practice to major institutional platforms in the United Kingdom. These repeated invitations across different editions of the same exhibitions reflect the sustained attention her work has received from curators internationally.

Her sculptures, photographs, and drawings are held in the permanent collections of several major institutions, including the Museum of Modern Art and the Metropolitan Museum of Art, both in New York, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and Tate Modern in London. The presence of her work across these four institutions, spanning two continents, provides a concrete measure of the standing her practice has achieved within public collections dedicated to modern and contemporary art.

Quotes by Rachel Harrison

That’s what intimacy is, I think. That’s love. Knowing the smell of someone else’s head.
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That’s what intimacy is, I think. That’s love. Knowing the smell of someone else’s head.
There are many reasons why bad things happen to young women, and at the same time, no reason at all.
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There are many reasons why bad things happen to young women, and at the same time, no reason at all.
If men aren’t teased, their egos get too big. We did society a favor.
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If men aren’t teased, their egos get too big. We did society a favor.
But friendships are mercurial. They’re shape-shifters. I’ve learned to allow them to fluctuate and take new forms. I love my friends; that’s all that matters.
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But friendships are mercurial. They’re shape-shifters. I’ve learned to allow them to fluctuate and take new forms. I love my friends; that’s all that matters.
My problems aren’t invalid. Not to me. Just because they aren’t life altering, life-threatening, doesn’t mean they don’t make me feel bad. I wake up with them every morning, carry them around all day like a lead backpack, and I fall asleep with them at night. They’re real, and they’re mine. I know I’m lucky. I know that. But it doesn’t change how I feel.
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My problems aren’t invalid. Not to me. Just because they aren’t life altering, life-threatening, doesn’t mean they don’t make me feel bad. I wake up with them every morning, carry them around all day like a lead backpack, and I fall asleep with them at night. They’re real, and they’re mine. I know I’m lucky. I know that. But it doesn’t change how I feel.
Honestly, I don’t care what the future looks like, however wonderful or mediocre or disastrous. I just want it.
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Honestly, I don’t care what the future looks like, however wonderful or mediocre or disastrous. I just want it.
You can’t erase your past when there are pieces of it scattered inside other people.
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You can’t erase your past when there are pieces of it scattered inside other people.
I want to spread this moment on a cracker and eat it.
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I want to spread this moment on a cracker and eat it.
I want to spread this moment on a cracker and eat it’s
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I want to spread this moment on a cracker and eat it’s
Fate comes for you, no matter where you go."- Honourbound
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Fate comes for you, no matter where you go."- Honourbound
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