RC

Quotes by Richard Corliss

I first visited the Toronto fest in 1979, its fourth edition, when it was known as the Festival of Festivals and had an audience of about 40,000. I happily returned to the 10-day skein nearly every year thereafter, as attendance swelled to 400,000 and it grew into the most influential film festival in North America, perhaps the world.
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I first visited the Toronto fest in 1979, its fourth edition, when it was known as the Festival of Festivals and had an audience of about 40,000. I happily returned to the 10-day skein nearly every year thereafter, as attendance swelled to 400,000 and it grew into the most influential film festival in North America, perhaps the world.
I came of baseball age (isn't it always around first grade?) in the last sputtering years of the A's Philadelphia tenancy. I probably plighted my fated troth in 1949, when the A's fluked into a winning season and introduced a pintsize southpaw named Bobby Shantz.
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I came of baseball age (isn't it always around first grade?) in the last sputtering years of the A's Philadelphia tenancy. I probably plighted my fated troth in 1949, when the A's fluked into a winning season and introduced a pintsize southpaw named Bobby Shantz.
So why am I an A's fan? Because, from 1901 to 1954, they were the Philadelphia Athletics. Philadelphia is my home town. The A's were the team I loved as a kid, and no gap of space or time can fray that bond.
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So why am I an A's fan? Because, from 1901 to 1954, they were the Philadelphia Athletics. Philadelphia is my home town. The A's were the team I loved as a kid, and no gap of space or time can fray that bond.
On the page, 'Gone Girl' was a literary game: a tennis match of alternating chapters from Nick and Amy, with the reader offering to take each character's side every few pages.
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On the page, 'Gone Girl' was a literary game: a tennis match of alternating chapters from Nick and Amy, with the reader offering to take each character's side every few pages.
The lumpiness of 'The Good Lie's progression - from infancy to adulthood, and from ethnic horror to gentle social comedy to a heroic gift of freedom - proclaims the film's respect for facts and truths that can't be squeezed into a smooth narrative.
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The lumpiness of 'The Good Lie's progression - from infancy to adulthood, and from ethnic horror to gentle social comedy to a heroic gift of freedom - proclaims the film's respect for facts and truths that can't be squeezed into a smooth narrative.
Africa is the continent that the rest of the world prefers not to think about.
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Africa is the continent that the rest of the world prefers not to think about.
World War II was a historical event, but also a movie genre, and 'Fury' occasionally prints the legend. The rest of it is plenty grim and grisly. Audience members may feel like prisoners of war forced to watch a training-torture film.
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World War II was a historical event, but also a movie genre, and 'Fury' occasionally prints the legend. The rest of it is plenty grim and grisly. Audience members may feel like prisoners of war forced to watch a training-torture film.
'Ouija' has a steady directorial hand, some attractive young actors who taking the silliness seriously, and few admirable genre elements. It renounces the faux-found-footage ShakyCam style, instead employing a traditionally smooth visual style.
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'Ouija' has a steady directorial hand, some attractive young actors who taking the silliness seriously, and few admirable genre elements. It renounces the faux-found-footage ShakyCam style, instead employing a traditionally smooth visual style.
'Interstellar' may never equal the blast of scientific speculation and cinematic revelation that was Stanley Kubrick's '2001: A Space Odyssey,' but its un-Earthly vistas are spectral and spectacular.
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'Interstellar' may never equal the blast of scientific speculation and cinematic revelation that was Stanley Kubrick's '2001: A Space Odyssey,' but its un-Earthly vistas are spectral and spectacular.
Football has end zones and goal posts; basketball has the hoop, and hockey the goal cage. Baseball is the only game with an imaginary box: the strike zone, which the umpire determines at his own discretion.
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Football has end zones and goal posts; basketball has the hoop, and hockey the goal cage. Baseball is the only game with an imaginary box: the strike zone, which the umpire determines at his own discretion.
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