Richard Dean Anderson
American television in the latter half of the twentieth century saw a surge in action-adventure programming, a genre that rewarded charismatic leads who could carry a series across multiple seasons. Richard Dean Anderson, born on January 23, 1950, in Minneapolis, Minnesota, became one of the working actors who found a home in that landscape, building a career that stretched from television to film and into voice and dubbing work.
Anderson was educated at Roseville Area High School, Ohio University, and St. Cloud State University before pursuing acting professionally. His occupational range turned out to be broad — he worked as a television actor, a film actor, a voice actor, and a dub actor, and he also took on the role of television producer. He even had a stint as an ice hockey player earlier in life, though it's his screen work that defines most of his public record. His notable works include MacGyver, Stargate, and Fallout, projects that placed him in genre-driven stories requiring a lead capable of anchoring extended narratives.
MacGyver, in particular, gave Anderson a long-running platform in the action genre, and Stargate extended that presence into science fiction. As a producer as well as a performer on projects like these, he had a hand in shaping the material he appeared in rather than simply delivering it. That combination of roles — in front of and behind the camera — gave him a different kind of stake in the productions he was associated with.
The recognition Anderson received reflects the genre territory he worked in. He was awarded the Saturn Award for Best Actor on Television, a prize administered by the Academy of Science Fiction, Fantasy and Horror Films, which specifically honors work in speculative genres. He also received the Jules Verne Award. Both honors sit firmly in the science fiction and adventure space that defined much of his career, and the Library of Congress catalogs him under the authorized label "Anderson, Richard Dean."
Quotes by Richard Dean Anderson

I’ve also been working with the Challengers Club in the inner city of Los Angeles for 15 years now, I guess, and it’s essentially an inner-city recreation club for boys and girls.

Being a father, well, I don’t know if this is a change, but it makes me want to get out of here faster. Get off the clock. Just ’cause the baby is my reason for living, my reason for coming to work.

There’s editing, and scripts to read and edit, and casting, and all the elements of production that just sort of take up the normal downtime that you would have as an actor. So there’s not a lot of that for me.

So it allows me to travel, I’ll be doing that and running these great rivers and doing what I’ve done in the past without much purpose other than for the experience.

As far as the future for the Showtime episodes that have already aired, we are sold into syndication so we’ll be appearing primarily on the Fox syndicated networks and then eventually the SCI FI Channel. So, we’ll be around for a while.

They are a fairly aggressive conservation organization that was started to protect the great whales particularly, but in general all marine life around the world. So those are the people I’m trying to attach my name to.

Being away from her is torturous and I’d much prefer to be with her. So I just try to get out of here as soon as I can. I make sure I do my job real well and fast.


