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Rivka Galchen

31quotes

Rivka Galchen: A Life of Words


Full Name and Common Aliases


Rivka Galchen's full name is Rivka Rachel Galchen. She is also known by her pen name, Rivka Galchen.

Birth and Death Dates


Born in 1976, there is no publicly available information on Rivka Galchen's death date.

Nationality and Profession(s)


Rivka Galchen is a Canadian-American writer of fiction and non-fiction. Her work spans multiple genres, including literary fiction, science fiction, and essay writing.

Early Life and Background


Born to a family of writers, Rivka Galchen was exposed to the world of literature from an early age. Growing up in Canada, she developed a passion for words and storytelling that would eventually shape her career as a writer. After completing her education, Galchen moved to New York City to pursue a writing career.

Major Accomplishments


Rivka Galchen's writing career has been marked by several notable accomplishments. She is the author of two novels: _At the Bottom of the River_ (2004) and _Einstein's Beach House_ (2015). Her work has been praised for its unique blend of science fiction, literary fiction, and philosophical themes.

Notable Works or Actions


Galchen's writing often explores the intersection of science, philosophy, and human experience. Her novel _At the Bottom of the River_ was praised by critics for its innovative structure and exploration of complex themes. In addition to her novels, Galchen has published numerous essays and articles on topics ranging from literature and philosophy to science and technology.

Impact and Legacy


Rivka Galchen's writing has had a significant impact on the literary world. Her unique blend of genres and styles has made her a standout in the industry. Her work has been praised by critics and readers alike, establishing her as a prominent voice in contemporary literature.

Why They Are Widely Quoted or Remembered


Rivka Galchen's quotes are widely cited due to their insight into the human condition. Her writing often explores complex themes and ideas, making her a valuable source of inspiration for writers, thinkers, and readers. Her unique perspective on science, philosophy, and literature has made her a respected voice in her field.

As a writer who defies genre boundaries, Rivka Galchen's work continues to captivate audiences with its thought-provoking themes and innovative style. Her quotes are widely read and remembered for their insight into the human experience and the interconnectedness of science, philosophy, and literature.

Quotes by Rivka Galchen

Now it seems there are many more varieties of ‘normal’ family.
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Now it seems there are many more varieties of ‘normal’ family.
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Books for young children rarely feature children. They feature animals, or monsters, or, occasionally, children behaving like animals or monsters. Books for adults almost invariably feature adults.
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Books for young children rarely feature children. They feature animals, or monsters, or, occasionally, children behaving like animals or monsters. Books for adults almost invariably feature adults.
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The room was too much there. I could feel the color of the wallpaper – burgundy – invading.
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The room was too much there. I could feel the color of the wallpaper – burgundy – invading.
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I had considered envying men before – I pretend to envy things like their higher incidence of ungrounded confidence and monomania – but I don’t really envy those things, and I’m not sure I even believe in them – but this, the covert-baby-having thing, was the first real thing.
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I had considered envying men before – I pretend to envy things like their higher incidence of ungrounded confidence and monomania – but I don’t really envy those things, and I’m not sure I even believe in them – but this, the covert-baby-having thing, was the first real thing.
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I’m not one of these people who are disheartened that the universe is expanding. But as news and data breed and the crowded channels grow ever noisier, I do feel that the space is ever increasing between me and it, whatever it might be.
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I’m not one of these people who are disheartened that the universe is expanding. But as news and data breed and the crowded channels grow ever noisier, I do feel that the space is ever increasing between me and it, whatever it might be.
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He is my unicorn, though... That’s how I felt falling in love with him, as if I’d found a creature of myth.
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He is my unicorn, though... That’s how I felt falling in love with him, as if I’d found a creature of myth.
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Sometimes failing is what’s needed. I think it can put people in a good mood, to see someone fail. Let people entertain themselves. I think that’s one of the reasons people are so lonely in this country. Because they always have to rush out and have someone else in the room entertain them. It’s terrible, the loneliness here. People live in coffins...
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Sometimes failing is what’s needed. I think it can put people in a good mood, to see someone fail. Let people entertain themselves. I think that’s one of the reasons people are so lonely in this country. Because they always have to rush out and have someone else in the room entertain them. It’s terrible, the loneliness here. People live in coffins...
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You’ll never get over Ilan. And that will one day horrify you. But soon enough you’ll settle on a replacement object for all that love of yours, which does you about as much good as a life jacket in a train wreck.
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You’ll never get over Ilan. And that will one day horrify you. But soon enough you’ll settle on a replacement object for all that love of yours, which does you about as much good as a life jacket in a train wreck.
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He was my first love, my first love in the way that first loves are usually second or third or fourth loves. I still think about a stranger in a green jacket across from me in the waiting room at the DMV. About a blue-eyed man with a singed earlobe that I saw at a Baskin-Robbins with his daughter. My first that kind of love. I never got over him. I never get over anyone.
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He was my first love, my first love in the way that first loves are usually second or third or fourth loves. I still think about a stranger in a green jacket across from me in the waiting room at the DMV. About a blue-eyed man with a singed earlobe that I saw at a Baskin-Robbins with his daughter. My first that kind of love. I never got over him. I never get over anyone.
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The magnificently humble. The enormously small. The meaningfully ridiculous. Robert Walser’s work often reads like a dazzling answer to the question, How immense can modesty be?
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The magnificently humble. The enormously small. The meaningfully ridiculous. Robert Walser’s work often reads like a dazzling answer to the question, How immense can modesty be?
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