Robert Seethaler
Full Name and Common Aliases
Robert Seethaler is a renowned Austrian writer, best known by his pen name Robert Seethaler.
Birth and Death Dates
Born on September 21, 1957, in Salzburg, Austria. Unfortunately, no public records of his passing are available.
Nationality and Profession(s)
Austrian novelist, essayist, and playwright.
Early Life and Background
Seethaler grew up in a small village near Salzburg. As a child, he was fascinated by storytelling and the works of great authors such as Tolstoy and Dostoevsky. His early life experiences would later influence his writing style, often focusing on themes of family, love, and relationships.
Major Accomplishments
Seethaler's literary career spans over three decades, marked by numerous awards and accolades. Some of his notable works include:
_A Whole Life_ (2014), which earned him the Austrian Book Prize and the German Book Prize.
_The Tobacconist_ (2016), an international bestseller that explores themes of love, war, and identity.
Notable Works or Actions
Some of Seethaler's notable works include:
A Whole Life (2014): A poignant novel about a man's life from birth to death, reflecting on his relationships, experiences, and the world around him.
The Tobacconist (2016): Set during World War II, this novel delves into the lives of those caught in its midst, exploring themes of love, loss, and resilience.
Impact and Legacy
Seethaler's writing has had a profound impact on readers worldwide. His ability to weave intricate stories that explore human emotions and experiences has made him a beloved author among critics and readers alike. As a masterful storyteller, Seethaler continues to inspire generations of writers and readers.
Why They Are Widely Quoted or Remembered
Seethaler's works are widely quoted and remembered for their:
Emotional resonance: His stories often explore universal themes that evoke powerful emotions in readers.
Timeless themes: Despite being written in different eras, his novels continue to resonate with contemporary audiences.
* Masterful storytelling: Seethaler's ability to craft engaging narratives has cemented his place as one of Austria's most celebrated writers.
Quotes by Robert Seethaler
Robert Seethaler's insights on:

Die Liebe kommt und geht, und man kennt sich vorher nicht aus, und man kennt sich nachher nicht aus, und am allerwenigstens kennt man sich aus, wenn sie da ist.

Life and the work on the mountain had left their mark. Everything about him was warped and crooked. His back seemed to be heading down towards the earth in a tight curve, and he increasingly had the feeling that his spine was growing up over his head. On the mountain his foothold was still firm, and not even the strong autumn downwinds could make him lose his balance, but he stood like a tree that was already rotten inside.

Scars are like years, he said: one follows another and it’s all of them together that make a person who they are.

People were evidently looking for something in the mountains that they believed they had lost a long time ago. He never worked out what exactly this was, but over the years he became more and more that the tourists were stumbling not so much after him but after some obscure, insatiable longing.

It’s a messy business, dying,′ he said. ‘As time goes on there’s just less and less of you. It happens quickly for some; for others it can drag on. Starting from birth you keep losing one thing after another: first a finger, than an arm, first a tooth, then a whole set of teeth, first one memory, then all your memory, and so on and so forth, until one day there’s nothing left. Then they chuck what’s left of you in a hole and shovel it in and that’s your lot.

He couldn’t remember where he had come from, and ultimately he didn’t know where he would go. But he could look back without regret on the time in between, his life, with a full-throated laugh and utter amazement.

Man creates life with the strength of his loins, and takes life with the strength of his arms.

He had already been so long in the world: he had seen it change and seem to spin faster with every passing year, and he felt like a remnant from some long-buried time, a thorny weed still stretching up, for as long as it possibly could, towards the sun.

Narben sind wie Jahre, meinte er, da kommt eines zum anderen und alles zusammen macht erst einen Menschen aus.

Heutzutage ist es vielleicht sowieso besser, nicht allzu viel Ahnung zu haben. Die Ahnungslosigkeit ist ja praktisch das Gebot der Stunde, das Nichtwissen das Leitmotiv der Zeit. Da kann man auch schon einmal hinschauen, ohne was gesehen zu haben. Oder hinhorchen und trotzdem nichts verstehen.