Robin Hobb
Robin Hobb is an American fantasy and science fiction novelist born on March 5, 1952, in Berkeley, California.
Hobb was educated at the University of Denver and has built her career writing in English. She is known by two pen names — Robin Hobb and Megan Lindholm — and is a citizen of the United States. Her work falls primarily within the fantasy genre, and she has published novels under both names across her career.
Among her notable works are Assassin's Apprentice, Royal Assassin, and Assassin's Quest, three novels that represent a significant part of her output as a fantasy writer. These titles reflect her consistent engagement with the fantasy genre, which has been the main current running through her published fiction.
Hobb has received a number of awards over the course of her career, including the World Fantasy Award for Life Achievement, the Inkpot Award, the Geffen Award, and the Imaginales award for best foreign-language novel. The World Fantasy Award for Life Achievement and the Imaginales recognition together point to the breadth of her readership, spanning both English-speaking audiences and international ones. Her recurring territory is fantasy fiction, as seen across her notable works and the genre classifications attached to her name.
Quotes by Robin Hobb
Robin Hobb's insights on:

Long or short, if you worry about every step of a journey, you will divide it endlessly into pieces, anyone of which may defeat you. Look only to the end.

Many will rant and rave against the garment fate has woven for them, but they pick it up and don it all the same, and most wear it to the end of their days. You... you would rather go naked into the storm.

Children, I have found, are much more swift to accept the unusual. They admit their curiosity, you see, rather than disdaining the object that arouses it.

I don’t want to have these burdens. But I can’t bear to turn them over to anyone else, either. Because, despite all the work, I like being in control of my own life.

And like a child, I’d be testing the people who loved me, pulling away from them almost for the sole reason of seeing if anyone would come after me.

I had read a poem about a girl with ‘silvery laughter’ but Shun’s sounded to me as if someone had fallen down a long flight of steps with a basket of cheap tin pans.

Once she would have found him mysterious and alluring. She had grown wiser. Dangerous men were neither romantic nor exotic; they were men who could hurt you.

The carriageway to the front door was wide, and graceful white birches lined it. In autumn they shed a carpet of gold on the road, and in winter, burdened with snow, they arched over it, a frosted white tunnel paned with glimpses of blue sky.

When had it become so ingrained in her to apologize whenever she wanted something for herself?
