Robin Weigert
Robin Weigert
Full Name and Common Aliases
Robin Jean Weigert is an American actress known professionally as Robin Weigert.
Birth and Death Dates
Born on July 7, 1964. Still active in the entertainment industry.
Nationality and Profession(s)
Weigert holds American citizenship and is primarily recognized for her work as a character actor in film and television.
Early Life and Background
Raised in Washington D.C., Weigert demonstrated an interest in performing arts from an early age. She pursued formal education in acting at the prestigious New York University's Tisch School of the Arts, graduating with a Bachelor of Fine Arts degree.
Major Accomplishments
Throughout her career, Weigert has garnered significant attention for her nuanced portrayals of complex characters. Notable roles include Calamity Jane Quail on the FX drama series Sons of Anarchy, and, most notably, Elsbeth Tascioni in the ABC television series The Good Wife.
Notable Works or Actions
Weigert has appeared in a range of productions across film and television. Some notable mentions include her role as Dottie Hinkley in the 1993 film Philadelphia, and her portrayal of Mabel Pritchard in the 2007 drama Margot at the Wedding.
Impact and Legacy
Weigert's commitment to her craft has earned her numerous accolades, including multiple Primetime Emmy nominations. Her work on _The Good Wife_ garnered significant praise for its depth and nuance, with critics noting her ability to bring subtlety to even the most complex characters.
Why They Are Widely Quoted or Remembered
Weigert's dedication to bringing authenticity to her roles has made her a respected figure within the entertainment industry. Her contributions to television drama have set new standards for character development and acting depth, making her one of the most notable figures in contemporary American television.
Quotes by Robin Weigert
I think when I feel fear, thats often a cue that I should do something. If I begin to feel fear, thats a strong sign, psychologically, that something has its hooks in me somewhere deep.
We as women are always watching movies and if you want to be cool you have to identify with the man in the movie.
There's a certain comfort in being in supporting roles because it's not all on you.
I basically have paid for a piano and a flat-screen television completely with my poker earnings. I'm pretty good at it.
I haven't done 'Celebrity Poker Showdown,' and I would love them to have me, but I think I'm not a big enough celebrity yet to get on there.
In 'Deadwood,' it was just extremely unaesthetic. They actually put underarm merkins on and covered me with dirt!
I'm curious about people, and I'm curious about getting to the root of where they might be coming from.
It's such an obedient way to be for a woman, to try to keep yourself in top shape, to follow all the rules and hope that will get you a measure of stability or happiness. That's part of the affluent suburban dream: to do everything perfectly in a long-winded way, to try to fulfill all the requirements.
Television has changed. Some feels like good old-fashioned TV, and some of it feels more filmic and more natural and more nuanced. I don't think there's any clear line any longer between film and TV.