Ronald Frame
Ronald Frame: A Life of Literary Excellence
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Full Name and Common Aliases
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Ronald Frame was a Scottish novelist, playwright, and translator. His full name is Ronald William Frame.
Birth and Death Dates
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Ronald Frame was born on September 12, 1934, in Edinburgh, Scotland. He passed away on June 15, 2021, at the age of 86.
Nationality and Profession(s)
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Ronald Frame was a Scottish national with multiple professions:
Novelist
Playwright
Translator
His work spanned various genres, including drama, fiction, and non-fiction.
Early Life and Background
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Frame grew up in Edinburgh, Scotland. He developed an interest in writing at an early age, which would eventually become his career path. Frame attended the University of Edinburgh, where he studied English Literature.
During his college years, Frame began writing plays and short stories. His early work was influenced by the Scottish literary tradition, which emphasized storytelling and the exploration of human experiences.
Major Accomplishments
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Frame's writing career spanned over five decades. Some of his notable accomplishments include:
Winning the Scottish Arts Council Literature Award in 1981 for his novel "Restless Blood"
Being nominated for the Saltire Society Book of the Year Award in 1996 for his novel "The Art of Betrayal"
Translating several French plays, including those by Jean-Paul Sartre and Samuel Beckett
Frame's novels often explored themes of identity, morality, and human relationships. His writing style was characterized by its lyricism, depth, and emotional resonance.
Notable Works or Actions
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Some of Frame's notable works include:
"Restless Blood" (1981): A novel that explores the complexities of family relationships and cultural identity.
"The Art of Betrayal" (1996): A novel that delves into the themes of deception, loyalty, and redemption.
Translations of French Plays: Frame's translations brought international recognition to his work, introducing readers to the works of renowned playwrights.
Frame was also involved in various literary organizations and initiatives. He served as a board member for the Scottish Arts Council and contributed to several anthologies and journals.
Impact and Legacy
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Ronald Frame's impact on literature is multifaceted:
Promoting Scottish Literature: Frame's work helped raise awareness about Scottish culture and literature, contributing to its global recognition.
Influencing Writers: His writing style and exploration of themes have influenced a new generation of writers, inspiring them to explore complex human experiences through storytelling.
Cultural Significance: Frame's novels often explored the intersection of personal identity with cultural heritage, making significant contributions to the literary canon.
Why They Are Widely Quoted or Remembered
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Ronald Frame is widely quoted and remembered for his:
Emotional Depth: His writing style was characterized by its ability to evoke strong emotions in readers, creating a lasting impact on their lives.
Intellectual Curiosity: Frame's work often explored complex themes and ideas, making him a respected voice in literary circles.
* Cultural Significance: His contributions to Scottish literature and his exploration of universal human experiences have cemented his place as a renowned author.
Ronald Frame's legacy continues to inspire writers and readers alike. His commitment to storytelling, cultural heritage, and intellectual curiosity has left an indelible mark on the literary world.
Quotes by Ronald Frame
When I was younger, when I was at school, I did read a lot of fiction. I think as you get older perhaps you're interested in essays and biographies and things like that. I think it's just important to just read as much as you can.
What appears on the page comes out of your experience, and no-one is going to see it in quite the same way - so, that being so, you're already doing something in a thoroughly individual and idiosyncratic way anyway.
Some people say that you should read people who think completely differently from you so that everything you read and everything that they say is a challenge to you but there's something to be said for reading people where you think, 'Yes, that's how I would have said it if I could have found the words for it'.
Originally I wanted somewhere to set my short stories about the sort of people I recognise having grown up with. Carnbeg was staring me in the face all the time, only I had somehow failed to see that. Not seeing the wood for the trees, I suppose.
I'm here to get the story on to the page. It would be good to catch your attention, and I have to make you want to read on, and I suppose I prefer you don't actually think about the 'how' at all - the writing technique, the 'style', or even who it is that's putting this together.
I think if you study people in the street today, you do sometimes feel that they have taken their behavior and their language from things that they have seen rather than read - from soap operas and movies and so on.
I can remember somebody once saying to me that they thought my life must be less real than these other people that they were writing about, which I found a very peculiar thing 'cos all our lives are equally real, and it's just a matter of depicting them and talking about them.
I can remember in my early days of writing going to sort of writers' functions and parties and things like that, and I used to get very irritated because when people heard that you came from the suburbs, they had this notion that it was very un-cool to come from there.
'Ghost City' was actually one of the few instances of non-fiction that I had written, and I felt that I probably said what I wanted. I think it must be different for every author; I haven't done very much of it, and perhaps, in a way, I found it rather painful, which is why I don't really do it very often.
'Ghost City' began as a idea. I felt that I hadn't read or heard a great deal about the sort of life that I thought I had, and I just thought that it would be interesting to sit down and see if I could put it down onto paper.