I think there's escapist moviemaking, and we want to be captivated and taken away. If it's done right, you can craft an incredible film. There have been superhero films that I think are brilliant pieces of art.

I see guys with, like, eyebrow art, and I wanna tell them, 'You don't have to go too crazy on your brows. Take it easy, man!'

I've had an alarming amount of concussions.

I have a discipline that has served me very well in my career and in my personal life... and that's gotten stronger as I've gotten older. I've always felt if I don't just have a natural knack for it, I will just out-discipline the competition if I have to - work harder than anybody else.

Like a lot of people, I’ve got a self-loathing streak that’s alive and well. It acts as a de facto engine when I’m working, but it also has its extraordinary pitfalls, too.

I don’t think I’m prepared to give away my technique to Great Britain. Are you crazy? All I can say is there was a ninja and a fire truck involved, and a great deal of coersion.

A live action movie is work, and an animated movie is you showing up in your pajamas once every three months, or in my case, just a splash of baby powder. It’s not any kind of heavy lifting.

I know there are actors we all want to beat up a little. I think it’s important to do whatever it takes, and whatever it takes sometimes involves some physical or mental discipline. There’s a lot at stake.

You’d be hard pressed to find more drama in ‘Days of Our Lives’ than you do in an average job each day.

You know, there’s nobody where I’ve said, ‘Man, I really want that guy’s career.’ I mean, each of us has to make our own go of it.