Ryūnosuke Akutagawa


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Full Name and Common Aliases

Ryūnosuke Akutagawa, commonly known as Akutagawa, was a Japanese writer whose life spanned the tumultuous early 20th century.

Birth and Death Dates

Born on March 1, 1892, in Tokyo, Japan, Akutagawa would tragically take his own life at the age of 35, on July 24, 1927.

Nationality and Profession(s)

A Japanese national by birth, Ryūnosuke Akutagawa was a renowned writer, essayist, and critic. His works spanned various genres, including short stories, novels, and literary criticism.

Early Life and Background

Akutagawa's early life was marked by tragedy when his father died at a young age, forcing the family to relocate from Tokyo to Kyoto. He spent most of his childhood in the city, where he developed an interest in literature and philosophy. Akutagawa attended elementary school in Tokyo before moving to Kyushu for high school.

In 1910, he began studying English literature at Keio University in Tokyo but dropped out after two years due to financial constraints. This setback led him to focus on his writing career, which would eventually bring him international recognition.

Major Accomplishments

Akutagawa's breakthrough came with the publication of "Rashōmon and 17 Other Stories" (1922), a collection that included some of his most famous works, such as "Rashōmon," "In a Bamboo Grove," and "The Nose." These stories showcased Akutagawa's mastery of psychological insight and philosophical themes.

His writing often delved into the complexities of human nature, exploring issues like morality, guilt, and the search for meaning. His work was influenced by Western literature, particularly the works of Edgar Allan Poe and Fyodor Dostoevsky.

Notable Works or Actions

In addition to "Rashōmon," some of Akutagawa's notable works include:

"Kwaidan: Stories and Studies of Strange Things" (1902) - an early collection that showcased his fascination with the supernatural
"The Life of a Stupid Man" (1916) - a novella that critiqued societal norms and conventions

Akutagawa was also an active participant in Japan's literary scene, often engaging in public debates and discussions about literature and its role in society.

Impact and Legacy

Ryūnosuke Akutagawa's impact on Japanese literature is undeniable. His works not only captivated readers but also inspired a new generation of writers to explore the complexities of human nature. He paved the way for Japan's literary renaissance, influencing authors such as Jun'ichirō Tanizaki and Yasunari Kawabata.

His influence extends beyond literature; his themes and ideas have been interpreted and reinterpreted in various forms of media, including film and theater. The 1950 film "Rashomon," directed by Akira Kurosawa, is a prime example of this.

Why They Are Widely Quoted or Remembered

Akutagawa's quotes and writings are widely remembered for their thought-provoking insights into human nature. His ability to craft stories that explored the depths of human emotion and psychology has made him an enduring figure in literature. He continues to inspire readers, writers, and artists with his unique perspective on life and society.

In conclusion, Ryūnosuke Akutagawa's legacy as a writer and thinker has left an indelible mark on Japanese literature and beyond. His works continue to captivate audiences worldwide, offering a glimpse into the complexities of human nature and the search for meaning in life.

Quotes by Ryūnosuke Akutagawa

Ryūnosuke Akutagawa's insights on:

People say they need freedom, but in fact, nobody wants freedom.
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People say they need freedom, but in fact, nobody wants freedom.
No matter how accomplished one might be in any branch of learning or art, one would have to be condemned to hell, if on where not endowed with th five cardinal virtues of Confucius-benevolence, justice, courtesy, wisdom and fidelity.
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No matter how accomplished one might be in any branch of learning or art, one would have to be condemned to hell, if on where not endowed with th five cardinal virtues of Confucius-benevolence, justice, courtesy, wisdom and fidelity.
I have heard unsavory rumors about you and the umbrella-maker’s daughter.
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I have heard unsavory rumors about you and the umbrella-maker’s daughter.
I could have sworn that the man’s eyes were no longer watching his daughter dying in agony, that instead the gorgeous colors of flames and the sight of a woman suffering in them were giving him joy beyond measure.
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I could have sworn that the man’s eyes were no longer watching his daughter dying in agony, that instead the gorgeous colors of flames and the sight of a woman suffering in them were giving him joy beyond measure.
A man sometimes devotes his life to a desire which he is not sure will ever be fulfilled. Those who laugh at this folly are, after all, no more than mere spectators of life.
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A man sometimes devotes his life to a desire which he is not sure will ever be fulfilled. Those who laugh at this folly are, after all, no more than mere spectators of life.
I have no conscience at all – least of all an artistic conscience. All I have is nerves.
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I have no conscience at all – least of all an artistic conscience. All I have is nerves.
Isn’t there someone kind enough to come strangle me in my sleep?
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Isn’t there someone kind enough to come strangle me in my sleep?
17. Butterfly A butterfly fluttered its wings in a wind thick with the smell of seaweed. His dry lips felt the touch of the butterfly for the briefest instant, yet the wisp of wing dust still shone on his lips years later.
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17. Butterfly A butterfly fluttered its wings in a wind thick with the smell of seaweed. His dry lips felt the touch of the butterfly for the briefest instant, yet the wisp of wing dust still shone on his lips years later.
I may be a lunatic, but then, wasn’t my lunacy caused by a monster that lurks at the bottom of every human mind? Those who call me a madman and spurn me may become lunatics tomorrow. They harbor the same monster.
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I may be a lunatic, but then, wasn’t my lunacy caused by a monster that lurks at the bottom of every human mind? Those who call me a madman and spurn me may become lunatics tomorrow. They harbor the same monster.
Yes – or rather, it’s not so much that I want to die as that I’m tired of living.
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Yes – or rather, it’s not so much that I want to die as that I’m tired of living.
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