Sacha Guitry
Sacha Guitry was born on 21 February 1885 in Saint Petersburg, a city far removed from the French cultural world in which he would spend his working life. A French citizen who used the French language throughout his career, he came of age in a context shaped by that distance between his birthplace and the country whose artistic and civic institutions would eventually mark his contributions with formal recognition.
His career took in a notably broad range of creative disciplines. He worked as a playwright, stage actor, film actor, director, screenwriter, and author, moving between the theatrical and cinematic worlds while writing and performing in French. His education at the Lycée Janson-de-Sailly gave him a grounding in the French academic tradition, and across these multiple roles he produced work for both the stage and the screen, functioning simultaneously as writer, director, and performer.
The institutional recognition Guitry received over the course of his career was considerable. He was named an Officier de l'Instruction publique and attained both the rank of Officer and subsequently Commander of the Legion of Honour. Beyond France's own system of distinction, he also received the Commander of the Order of Saint-Charles and the Commander of the order of Nichan Iftikhar. These awards collectively reflect the range of sustained acknowledgment his work attracted from official bodies across several decades.
The record contains two dates for Guitry's death, with sources giving either 24 May or 24 July 1957. What is confirmed is that he died in Paris in 1957, having been born in Saint Petersburg more than seven decades earlier. His death in Paris, documented alongside the long list of honours he had accumulated during his lifetime as playwright, actor, director, and screenwriter, marks the close of a career conducted entirely within the French language and across the French stage and screen.
Quotes by Sacha Guitry

An ideal wife is one who remains faithful to you but tries to be just as charming as if she weren’t.

If a playwright is funny, the English look for a serious message, and if he’s serious, they look for a joke.

One says that money doesn’t buy happiness. Without a doubt, one was speaking of the money of others.

I am in favor of preserving the French habit of kissing the hands of ladies. After all one must start somewhere.





