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Sadegh Hedayat: A Life of Turmoil and Literary Genius
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Full Name and Common Aliases


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Sadegh Hedayat was a renowned Iranian writer and intellectual who is often referred to as The Father of Modern Persian Literature. His full name, Sadegh (also spelled Sadeq) Hedayat, reflects his Persian heritage, while his literary pseudonym, Sadegh Hedayat, has become synonymous with innovation and artistic expression.

Birth and Death Dates


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Sadegh Hedayat was born on February 16, 1903, in Tehran, Iran. He passed away on April 9, 1951, at the age of 48, under mysterious circumstances while traveling in Paris, France.

Nationality and Profession(s)


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Hedayat held Iranian nationality and was a multifaceted writer who excelled as an author, translator, editor, and literary critic. His diverse talents spanned various genres, including fiction, nonfiction, poetry, and essays.

Early Life and Background


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Growing up in a relatively affluent family in Tehran, Hedayat's early life was marked by turmoil and introspection. His father, Abdol-Hossein Mirza Farmanfarmaian, was a prominent statesman who played a significant role in Iran's constitutional revolution. This exposure to politics and social change profoundly influenced Hedayat's worldview.

Hedayat's education began at the Dar-ol-Fonoon school in Tehran before he moved to France to continue his studies. His time abroad had a lasting impact on his writing, as it exposed him to Western literary traditions and facilitated his exploration of existential themes.

Major Accomplishments


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Sadegh Hedayat's accomplishments are numerous and far-reaching:

Pioneering Modern Persian Literature: Hedayat is widely regarded for introducing modernism to Persian literature. His innovative writing style, which blended traditional elements with experimental techniques, paved the way for future generations of Iranian writers.
Groundbreaking Fiction: Works like "The Blind Owl" (1937) and "Death and the Senator" (1948) showcased Hedayat's mastery of psychological complexity and philosophical introspection. These novels have been translated into numerous languages and remain staples of modern Persian literature.
Translation and Editing: Hedayat was an accomplished translator, rendering works by authors such as Gustave Flaubert, Émile Zola, and Marcel Proust into Persian. His editing skills were equally impressive, with many considering his introduction to the translation of the "Tales of 1001 Nights" a crucial milestone in Persian literature.

Notable Works or Actions


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Hedayat's literary legacy extends beyond his novels:

Experimentation and Innovation: Throughout his career, Hedayat explored various styles and themes, including existentialism, absurdism, and surrealism. This willingness to push boundaries has made him a beloved figure among readers seeking depth and complexity.
Criticism and Commentary: As an astute literary critic, Hedayat wrote extensively on the works of his contemporaries. His insightful essays offer valuable perspectives on the development of Persian literature during this period.

Impact and Legacy


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Sadegh Hedayat's impact is multifaceted:

Influence on Iranian Literature: As a pioneer of modern Persian literature, Hedayat inspired generations of writers to explore innovative styles and themes. His influence can be seen in the works of prominent authors such as Samad Behrangi, Gholam-Hossein Sa'edi, and Jalal Al-e-Ahmad.
Existentialism and Absurdism: Hedayat's exploration of existentialist and absurdist ideas resonated with readers worldwide. His work has been studied extensively in the context of post-World War II literature.

Why They Are Widely Quoted or Remembered


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Sadegh Hedayat's quotes are frequently cited due to their profound insight into the human condition:

Existential and Philosophical Reflections: Quotes such as "The world is a mirror, but it doesn't reflect our beauty. It reflects our ugliness" (from "The Blind Owl") showcase Hedayat's deep understanding of existential themes.
* Social Commentary: Statements like "The most important thing in life is to learn how to give out love, and let it come in" underscore his commitment to social responsibility.

Sadegh Hedayat's life was marked by turmoil and literary genius. His pioneering work in modern Persian literature has left an indelible mark on the world of writing. Through his innovative style, existential themes, and philosophical introspection, Hedayat continues to captivate readers worldwide.

Quotes by Sadegh Hedayat

The doctor came and prescribed opium for me. What a marvellous remedy for the pains of my experience!
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The doctor came and prescribed opium for me. What a marvellous remedy for the pains of my experience!
Within the four walls that form my room, this fortress which I have erected around my life and thoughts, my life has been slowly wasting away like a candle. No, I am wrong. It is like a green log which has rolled to one side of the fireplace and which has been scorched and charred by the flames from the other logs; it has neither burnt away nor remained fresh and green; it has been choked by the smoke and steam from the others.
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Within the four walls that form my room, this fortress which I have erected around my life and thoughts, my life has been slowly wasting away like a candle. No, I am wrong. It is like a green log which has rolled to one side of the fireplace and which has been scorched and charred by the flames from the other logs; it has neither burnt away nor remained fresh and green; it has been choked by the smoke and steam from the others.
A story is only an outlet for frustrated aspirations, for aspirations which the story-teller conceives in accordance with a limited stock of spiritual resources inherited from previous generations.
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A story is only an outlet for frustrated aspirations, for aspirations which the story-teller conceives in accordance with a limited stock of spiritual resources inherited from previous generations.
We are the children of death and it is death that rescues us from the deceptions of life.
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We are the children of death and it is death that rescues us from the deceptions of life.
How had that woman, who was so utterly different from me, managed to occupy so large a zone of my life?
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How had that woman, who was so utterly different from me, managed to occupy so large a zone of my life?
In life there are certain sores that, like a canker, gnaw at the soul in solitude and diminish it.
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In life there are certain sores that, like a canker, gnaw at the soul in solitude and diminish it.
Ugh! How many stories about love, copulation, marriage and death already exist, not one of which tells the truth! How sick I am of well-constructed plots and brilliant writing!
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Ugh! How many stories about love, copulation, marriage and death already exist, not one of which tells the truth! How sick I am of well-constructed plots and brilliant writing!
The presence of death annihilates all superstitions. We are the children of death, and it is death that rescues us from the deceptions of life. In the midst of life he calls us and summons us to him.
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The presence of death annihilates all superstitions. We are the children of death, and it is death that rescues us from the deceptions of life. In the midst of life he calls us and summons us to him.
My one fear is that tomorrow I may die without having come to know myself.
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My one fear is that tomorrow I may die without having come to know myself.
I write only for my shadow which is cast on the wall in front of the light. I must introduce myself to it.
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I write only for my shadow which is cast on the wall in front of the light. I must introduce myself to it.
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