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Full Name and Common Aliases


Sergei Polunin is a Ukrainian-born ballet dancer, known professionally as Sergei Polunin.

Birth and Death Dates


Born on February 1, 1989, in Kherson, Ukraine. As of this writing, Sergei Polunin is still alive.

Nationality and Profession(s)


Polunin holds dual citizenship of Ukraine and Russia, with a career that spans ballet dancer, choreographer, model, and activist.

Early Life and Background


Sergei Polunin's passion for dance began at the age of 4, when he started taking classes in his hometown. He moved to Kyiv, Ukraine, where he trained at the Kyiv State Choreographic School. At 13, Polunin joined the Kiev Opera Ballet, before being accepted into the Ukrainian National Ballet.

Major Accomplishments


Polunin's breakthrough came in 2009 when he was cast as a soloist with the English National Ballet (ENB). His performances garnered international attention and praise from critics. In 2012, Polunin joined The Royal Ballet, where he danced prominent roles, including 'The Dying Swan' by Michaela Blesak.

Notable Works or Actions


One of his most notable works is the ballet 'Soul of a Flawed Skin,' which premiered in 2016 at the Bolshoi Theatre. Polunin also created and choreographed the piece. In addition to his dance career, Polunin has appeared as a model for Dolce & Gabbana's 'The One' fragrance campaign.

Impact and Legacy


Polunin's impact on the ballet world is evident in his technically flawless performances and his ability to push boundaries with innovative choreography. He has inspired countless young dancers around the globe, breaking down cultural barriers through his art.

Why They Are Widely Quoted or Remembered


Sergei Polunin is widely remembered for his dedication to his craft, challenging traditional ballet norms, and embracing new styles of movement. His unwavering passion and commitment have left an indelible mark on the world of dance.

Quotes by Sergei Polunin

"
I did gymnastics, I went to school, then I did homework. I missed out on a childhood.
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Dance is the hidden language of the soul.
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I am very thankful to the Royal Albert Hall for the opportunity to dance here; it's been a long hope of mine.
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I go to bed really late - if I just sleep I won't have a life outside ballet.
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Would I be happy just to be an actor? I don't think I would.
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A few months ago, I was sure that I was going to stop dancing to become a good actor. But then when I was by myself for a week, I asked myself, What are you doing? You have that talent. Use it to the fullest.
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It's true that I got a bit lost. But that was because I had grown up in a system where I never made my own decisions.
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Some of my friends were going to dancing school and, when one of them was auditioning for a ballet school in Kiev, my mother saw an opportunity for me to do that, so we could move to a bigger, better city.
"
I couldn't come back to gymnastics because the floors were too dusty for my health.
"
It's not about being modern or classical or about being sexy: it's all about exchanging energies with the audience.
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