SF

Sid Fleischman
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Full Name and Common Aliases


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Sid Fleischman was born Seymour Fleishman on July 16, 1914, in New York City. He is often referred to as Sid Fleischman.

Birth and Death Dates


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July 16, 1914 – Memorial Day, 2000

Nationality and Profession(s)


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Sid Fleischman was an American author, magician, and inventor. His work spanned multiple genres, including children's literature, mystery novels, and stage magic.

Early Life and Background


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Growing up in a Jewish family in the Bronx, Sid developed a passion for storytelling and performance at an early age. He began his career as a professional magician, entertaining audiences with sleight of hand and illusions. During World War II, Fleischman served in the U.S. Army, eventually becoming a sergeant and using his skills to create magic tricks for soldiers.

Major Accomplishments


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Sid Fleischman's writing career was marked by numerous awards and nominations. He won two Newbery Medals: _The Whipping Boy_ (1987) and _New Mexico's Palace of the Governors_ wasn't actually one of his winning books, but Newbery Medal for 1995 went to _The Whittington_ however it was also nominated by Sid for the same year. His body of work includes over 60 books, many of which have been translated into multiple languages.

Notable Works or Actions


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Some of Fleischman's most notable works include:

The Whipping Boy: A historical novel based on a true story about two boys from different social classes who are forced to exchange places.
Humbug: A mystery novel that combines magic and detective work.
_I Know I'm Alive_ which was nominated for the 1959 National Book Award.

Fleischman also wrote several picture books, including _Dragons on Sunday_ and _By the Great Horned Toad_. His writing often explored themes of social justice, tolerance, and self-discovery.

Impact and Legacy


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Sid Fleischman's impact on children's literature is undeniable. He was a pioneer in creating stories that celebrated diversity and challenged societal norms. His writing has been translated into over 20 languages, making him one of the most widely read American authors internationally. Fleischman was also an advocate for literacy and education, often visiting schools to share his love of reading.

Why They Are Widely Quoted or Remembered


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Sid Fleischman's enduring legacy can be attributed to several factors:

Unique blend of magic and literature: His ability to seamlessly integrate sleight of hand and illusions into his writing captivated readers.
Unwavering commitment to social justice: Fleischman's stories often tackled tough topics, promoting empathy and understanding in young readers.
Innovative storytelling style: He pushed the boundaries of traditional children's literature with unique narrative structures and styles.

As a writer, magician, and educator, Sid Fleishman left an indelible mark on the world. His quotes and works continue to inspire generations of readers, writers, and performers.

Quotes by Sid Fleischman

I don’t see any reason to let law interfere with justice around here. We never did before.
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I don’t see any reason to let law interfere with justice around here. We never did before.
Give weather reports. It helps the reality of a scene if foghorns are blowing or kites are in the sky on a windy afternoon or the day’s so hot wallpaper is peeling off the walls.
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Give weather reports. It helps the reality of a scene if foghorns are blowing or kites are in the sky on a windy afternoon or the day’s so hot wallpaper is peeling off the walls.
Humor is the oxygen of children’s literature. There’s a lot of competition for children’s time, but even kids who hate to read want to read a funny book.
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Humor is the oxygen of children’s literature. There’s a lot of competition for children’s time, but even kids who hate to read want to read a funny book.
The books we enjoy as children stay with us forever – they have a special impact. Paragraph after paragraph and page after page, the author must deliver his or her best work.
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The books we enjoy as children stay with us forever – they have a special impact. Paragraph after paragraph and page after page, the author must deliver his or her best work.
Give weather reports. It helps the reality of a scene if foghorns are blowing or kites are in the sky on a windy afternoon or the day's so hot wallpaper is peeling off the walls.
"
Give weather reports. It helps the reality of a scene if foghorns are blowing or kites are in the sky on a windy afternoon or the day's so hot wallpaper is peeling off the walls.
In my first story, 'Mr. Mysterious & Company'... I was asked to take out some of the humor because editors were afraid reviewers would dismiss the book as a joke. Today, humor is enjoyed and no longer regarded as literary brummagem.
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In my first story, 'Mr. Mysterious & Company'... I was asked to take out some of the humor because editors were afraid reviewers would dismiss the book as a joke. Today, humor is enjoyed and no longer regarded as literary brummagem.
As an adult, I'll give a writer 50 pages. If the book doesn't interest me in 50 pages, I'll say the heck with it - there are just too many other things to read. A child won't give you 50 pages.
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As an adult, I'll give a writer 50 pages. If the book doesn't interest me in 50 pages, I'll say the heck with it - there are just too many other things to read. A child won't give you 50 pages.
Adult novels are as ephemeral as newspapers. Children's books stay in print for decades.
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Adult novels are as ephemeral as newspapers. Children's books stay in print for decades.
I am astonished, when I pause to think about it, to discover myself to be an author of humorous novels for children. Or an author at all. I had a childhood much like everyone else's. What went wrong?
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I am astonished, when I pause to think about it, to discover myself to be an author of humorous novels for children. Or an author at all. I had a childhood much like everyone else's. What went wrong?
Humor is the oxygen of children's literature. There's a lot of competition for children's time, but even kids who hate to read want to read a funny book.
"
Humor is the oxygen of children's literature. There's a lot of competition for children's time, but even kids who hate to read want to read a funny book.
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