Stephen Kelman
Stephen Kelman
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Full Name and Common Aliases
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Stephen Kelman is a British novelist known for his poignant and thought-provoking writings on themes of identity, belonging, and the human condition.
Birth and Death Dates
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Kelman was born in 1975 in England, UK. As of this writing, he is still active in literature and has not passed away.
Nationality and Profession(s)
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Nationality: British
Profession: Novelist
Early Life and Background
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Growing up in a family of artists and intellectuals, Kelman's early life was marked by exposure to various art forms and critical thinking. His parents' influence instilled in him an appreciation for literature and creative expression from a young age.
Kelman's experiences growing up in England as the son of Jewish immigrants also had a significant impact on his writing. He has spoken about how these experiences shaped his perspectives on identity, community, and social justice.
Major Accomplishments
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Winner of the Man Booker Prize for First Novel (2010) for Pigeon English
Shortlisted for the Costa Book Award for Children's Book (2006) for The Boy in the Striped Pyjamas
Published several critically acclaimed novels, including Homecoming and The Woman UpstairsNotable Works or Actions
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Some of Kelman's notable works include:
Pigeon English, a novel that explores themes of identity, culture clash, and the immigrant experience in modern-day London.
The Boy in the Striped Pyjamas, a novel based on the true story of a boy who befriends a young boy at Auschwitz during World War II.Impact and Legacy
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Stephen Kelman's writings have made a significant impact on readers worldwide. His novels are known for their emotional depth, nuanced characterization, and thought-provoking exploration of complex social issues.
Kelman's works also often challenge stereotypes and promote empathy and understanding among diverse communities. His writing style is both accessible and engaging, making his stories appealing to a broad range of readers.
Why They Are Widely Quoted or Remembered
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Stephen Kelman is widely quoted or remembered for his:
Poignant portrayals of human experiences, particularly those related to identity, belonging, and social justice.
Innovative storytelling style, which combines elements of literary fiction with elements of genre fiction (e.g., mystery, thriller).
Ability to tackle complex themes in a way that is both thought-provoking and emotionally resonant.
Overall, Stephen Kelman's contributions to literature have had a lasting impact on readers worldwide. His writings continue to inspire discussions about important social issues and promote empathy and understanding among diverse communities.
Quotes by Stephen Kelman
It’s like the Boss always says: they’re just meat wrapped around a blazing star. We don’t mourn the wrapping once it’s discarded, we celebrate the freeing of the star.
A name is so Jesus will find you. Otherwise Jesus won’t know who he’s looking for and you’d just float in space forever. That would be hutious. What if you fell into the sun, you’d get burned up like human toast!
That’s when Poppy kissed me. I didn’t have time to get ready. She just kissed me there and then, right on the lips. It felt lovely. I wasn’t even scared this time. It was warm and not too wet. I didn’t get any tongue. Her breath smelled like Orange Tic Tacs.
Say it with me: I am a drop in the ocean. I am neighbour, nation, north and nowhere. I am one among many and we all fall together.
Violence always came too easy to you, that’s the problem. It always felt too good. Remember the first time you trod on an ant, and with an infant stamp made the moving still, the present past? Wasn’t that a sickly sweet epiphany? Such power in your feet and at your fingertips such temptation! It would take some act of charity to give all that good stuff away. You’d need to be something greater that just another invention of a spiteful god.
Her laughing was like a wave in the sea, when it landed on you it made you laugh as well.
Mamka říká, že bezpečnostní kamery je jen další způsob, jímž nás Bůh sleduje. Když má pánbůh zástoj na druhým konci světa, jako když zrovna dělá zemětřesení nebo přílivovou vlnu, tak těmi kamerami nás furt vidí.
Už jsem jednou mrtvýho člověka viděl. Bylo to tam, jak jsme bydleli, na trhu v Kaneši. Paní, co tam prodávala pomeranče, srazil minibus; neviděl ho přijíždět nikdo. Já si představoval, že ty pomeranče, který se rozkutálely po zemi, jsou její šťastný vzpomínky a že hledají někoho jinýho, na koho by se mohly přilepit, aby nepřišly vniveč.
Tady je ďábel silnější, protože jsou tu hrozně vysoký budovy. Je tu hrozně mrakodrapů, stíněj nebe a Bůh nevidí, co se děje dole.
That's when Poppy kissed me. I didn't have time to get ready. She just kissed me there and then, right on the lips. It felt lovely. I wasn't even scared this time. It was warm and not too wet. I didn't get any tongue. Her breath smelled like Orange Tic Tacs.