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Stephen Stills
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Full Name and Common Aliases


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Stephen Joseph Stills is a renowned American singer-songwriter, musician, and record producer. He is best known as a founding member of the folk rock bands Buffalo Springfield and Crosby, Stills & Nash (CSN), later becoming Crosby, Stills, Nash & Young (CSNY) with the addition of Neil Young.

Birth and Death Dates


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Stephen Stills was born on January 3, 1945, in Dallas, Texas. He is still active in music today.

Nationality and Profession(s)


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American

Musician
Singer-Songwriter
Record Producer

Early Life and Background


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Stills grew up in Los Angeles with his mother, Donna, a singer, and his father, West Coast jazz musician Scott Stills. His parents' influence exposed him to music from an early age, fueling his passion for singing and playing the guitar. He attended the prestigious University of California, Berkeley, where he studied social sciences but dropped out in 1964 to pursue music full-time.

Major Accomplishments


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Stephen Stills has had a remarkable career spanning over five decades. His accomplishments include:

Forming Buffalo Springfield with Neil Young and others in 1966, which achieved moderate success before disbanding in 1968.
Co-founding Crosby, Stills & Nash (CSN) in 1969, along with David Crosby and Graham Nash, releasing the iconic album "Crosby, Stills & Nash" in 1969.
Joining forces with Neil Young to form CSNY, solidifying their place as one of the most influential bands of the 1970s.
Releasing his solo debut, "Stephen Stills," in 1970, featuring the hit singles "Love Is Sometimes Love Is Not" and "Too Much Love to Give."
Establishing himself as a talented producer, working with artists like Laura Nyro and Stephen Bishop.

Notable Works or Actions


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Stills' most notable works include:

Writing the iconic song "For What It's Worth (Stop, Hey What's That Sound)," which became an anthem for the anti-war movement.
Recording the hit single "Suite: Judy Blue Eyes," showcasing his mastery of folk rock storytelling.
Collaborating with Joni Mitchell on her 1971 album "Ladies of the Canyon."
* Writing and performing the song "Old Man," a poignant tribute to Neil Young, featured on CSNY's 1970 album "Déjà Vu."

Impact and Legacy


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Stephen Stills' impact on music is undeniable. His unique voice, masterful guitar playing, and thought-provoking lyrics have inspired generations of musicians. As a founding member of Buffalo Springfield and CSN/CSNY, he helped shape the folk rock genre, influencing countless bands that followed.

Why They Are Widely Quoted or Remembered


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Stephen Stills is widely quoted and remembered for his insightful songwriting, poetic lyrics, and poignant performances. His contributions to some of the most iconic albums in music history have cemented his place as a legend in the industry. His commitment to social activism through his music has left an enduring legacy, reminding listeners of the power of art to shape society.

Through his remarkable career, Stephen Stills has demonstrated unwavering dedication to his craft, inspiring countless fans and fellow musicians alike. His impact on music will continue to resonate for years to come, ensuring his place in history as one of the most influential singer-songwriters of all time.

Quotes by Stephen Stills

Yeah; I'm a much better blues player than anybody knows, but being in the kind of group I'm in, we were always trying to make popular records.
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Yeah; I'm a much better blues player than anybody knows, but being in the kind of group I'm in, we were always trying to make popular records.
God forbid if David Crosby gets sick again and I can't tour anymore, or something happens where I can't get around, what am I going to live on? I'm going to be living on mechanicals. So I don't want to hear it.
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God forbid if David Crosby gets sick again and I can't tour anymore, or something happens where I can't get around, what am I going to live on? I'm going to be living on mechanicals. So I don't want to hear it.
Sometimes I get a little drunk, sometimes I get a little out of it, sometimes I get out of tune onstage, but that's something that shouldn't be dissected.
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Sometimes I get a little drunk, sometimes I get a little out of it, sometimes I get out of tune onstage, but that's something that shouldn't be dissected.
You slow down when you get older.
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You slow down when you get older.
I much prefer the road. My thing is getting live in front of people. There is a sterile environment to a studio that doesn't make me let go.
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I much prefer the road. My thing is getting live in front of people. There is a sterile environment to a studio that doesn't make me let go.
I got hooked into folk music by accident, because that's what white college kids liked when I was a child.
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I got hooked into folk music by accident, because that's what white college kids liked when I was a child.
I spent my last year of high school in Latin America, and there's a edge of salsa under all of my rhythms.
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I spent my last year of high school in Latin America, and there's a edge of salsa under all of my rhythms.
A commercial is a commercial.
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A commercial is a commercial.
I feel like I'm just learning how to play the guitar. I mean, really learning to play the guitar.
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I feel like I'm just learning how to play the guitar. I mean, really learning to play the guitar.
If you can't be with the one you love, love the one you're with.
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If you can't be with the one you love, love the one you're with.
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